Radio Free Albemuth

by Philip K. Dick

Book Overview

A philosophical science fiction novel from Hugo Award-winning author Philip K. Dick, Radio Free Albemuth is a visionary alternate history of a dystopian United States, full of the conspiracy theories... This description may be from another edition of this product.

• Format: Hardcover
• Language: English
• ISBN: 0877957622
• ISBN13: 9780877957621
• Release Date: January 1985
• Publisher: Arbor House Publishing
• Length: 214 Pages
• Weight: 0.75 lbs.

Customer Reviews

Dick 201: Intro to VALIS

Set in California in the early 1970's, record producer and hipster Nicholas Brady is receiving communications from outer space that put him in the thick of a political plot to depose the despised U.S. President from Orange County, while Phil Dick is his science-fiction writer friend in this outrageous novel. Do these outcasts have what it takes to overthrow an authoritarian government and right the social wrongs of America? Not if the administration's goons have anything to say about it. A marvelous romp through faith, insanity, free will, and paranoia. While not technically part of the "Valis" trilogy, this book deals with many of the same themes and occasionally even the same events, some of which supposedly really happened. It seems likely that the reason Dick never published this novel during his lifetime is because so much of this material had already been covered in his other books. But this work is far more novelistic, telling a chronological story about how two individuals decided to stick it to the Man, and less a scholarly treatise on the nature of God, reality, the universe, etc... For those who found "Valis" a little too methodological in its analysis of comparative cosmologies and so forth, "Albemuth" is a much more readable, straightforward science fiction novel. If you haven't read the "Valis" trilogy yet, read this book first. The characters are pretty much standard for Dick: the everyman who overdid the drug culture during the 1960's, and the science fiction writer who tries to turn everything into a story. Since both of these are Dick's alter-egos, they serve to bring the writer into the action and let him toy with both autobiography and meta-fiction. As a general rule, Dick's style is easy enough to read, but his plots are often difficult to follow, since things are rarely what they appear to be and some dichotomies are never really resolved. Unlike some of his better known works, this book at least has a fairly clear-cut conclusion. The bottom line is: if you're a fan of imaginative fiction who is still unfamiliar with the work of this astonishing writer, then you need to tune in pronto. And while this may not be the master's tightest work, those new to Dick might just as well start here as anywhere.

wild, paranoid, large-scale, incredibly cool

Phillip K. Dick is at his best when he is working with BIG IDEAS, and it doesn't get any bigger than this. This book is connected in interesting ways with his insanely metaphysical Valis trilogy -- but what I think is most exciting about this one is the way he inserts himself into the universe depicted in the previous trilogy, as if to suggest that the genesis of the ideas from those books had its basis in his own experience. This tie to the "real" world makes this the ultimate Phillip K. Dick novel (though probably not the first one to read, since the conceit works best if you are already familiar with some of his ideas and works) -- since it "intensifies" or brings to completion the level of metaphysical speculation, as if to say: "you know all those books I wrote about fantasy worlds in which it was impossible to tell the difference between fantasy and reality?... that wasn't just fiction, some of it really happened to me." If you've only encountered Dick through the various movie adaptations (some successful some not), you should read Scanner, Ubik, and at least the Valis trilogy first, but then you won't be disappointed by this, his final work (even though it wasn't completed to his satisfaction when he died there's more good stuff in there than in several stacks of standard pulp sci fi.)

A Culmination?

I don't know why, but ever since I read RFA it has been my favorite book by PKD. Dick's strength has always been his loose entanglement ("grip" is too strong a word) with reality--something that has always shown in his work. His plots are never straight-forward and, when he is at his best, it is quite possible to finish one of his books and then ask yourself "what the heck really happened here?" Dick's ability to call even reality into question has always been his strength, and RFA is no exception. What makes this particular book so good is that his writing technique lives up to the task. All too often some of Dick's works come across with a jerky, "pulp" feel. This is not bad, and it fits his style and his earlier plots, but is usually not a recipe for creating a classic. In his later works, though, he really developed his writing into something that could stand on its own, and when coupled to his extraordinary plots amd ideas would make for an unmatched read in sci-fi. His VALIS trilogy is, according to many, the greatest of his many masterpieces. RFA is not really a part of that trilogy, as it was written separately and not published until well after Dick's death, as a sort of addendum. In one sense, though, I feel like it takes all of the ideas Dick was struggling with and developing in his later years--ideas about the nature of God, the history of humanity, the question of why there are so many religions and is it really possible for us to come together on that issue--and writes them out more clearly and succinctly than any other of his novels. Don't get me wrong, they're all great. But RFA is sort of the "meat and potatoes" of his ideas--clear, organized, and what's best: it's got a great plot. It's about love, death, the threat of communism, political revolutions, subliminal messages, record stores, messages from the stars, and votive candles. What more could you want?

Paranoia will destroy you

Radio Free Albemuth captures the true meaning of paranoia. The book swiftly tells the story of a wicked and manipulative government attacking its own citizens. With elements of George Orwell's 1984, Radio Free Albemuth focuses on the federal government spying on its own citizens to find out who is being unpatriotic.Author Philip Dick uses himself as one of the main characters of this eerie story, making it seem quick feasible. Dick plays himself - a science fiction writer. His long-time friend in the story is Nicholas Brady, who works at Progressive Records. Nick's job is to audition and sign new artists (mostly folk) to the label.Nick begins to experience dreams, which seem to predict the near future. Then he starts hearing voices while he is awake. Confused at first what this means, Nick turns to Phil for advice about his experiences. Soon Nick gets a visit from government officials called FAPS (Friends of American Patriotism). They question his patriotism. In order to prove his loyalty, the FAPs want him to agree to sign only artists with government approved messages. When Nick is reluctant to agree to this proposal, they become more suspicious of him and his possible affiliation with a communist party called Aramchek.The story revolves around this concept. Throughout the story the FAPs get more aggressive and Nick more paranoid. He increasingly hears and experiences sub-human things. Is the government making those voices or is it another life form?If you like Cyberpunk novels that are realistic enough to get you thinking and evaluating your own government, this book is a must read. This book never has a dull moment.

A brilliant portrait of our culture slipping into darkness.

To me, this was the accessible, sentimental VALIS. While it is not so rich in detail, one does not have to read the exegesis of Gnostic terminology found in VALIS. I believe the story benifits from this as it allowed Dick to focus more tightly on his main characters and their emotions.Parts of this books made me feel like I was reading a later day addition to C. S. Lewis' Perlandria series. The feeling of divine contact and its sudden withdrawal was just devastating. I have rarely read such a clear portrayal of the emotions surrounding direct religious experiences.The other aspect of this book I liked was its obviously autobiographical narrative, and its dark hints at Nixon's raw grasping for power and possible responsibilities for the loss of some of our most popular leaders of the '60s. Radio Free Albemuth provides a fascinating alternative to VALIS, and can be enjoyed at several levels. It also combines in an accessible manner the important themes Dick wrote about in "A Scanner Darkly" and "Flow My Tears, The Policeman Said". While it is derrivative of these books, the insight and ideas have been honed to their essence.