Pride's Crossing

by Tina Howe

Book Overview

The latest work by the award-winning author of Coastal Disturbances and The Art of Dining.

• Format: Paperback
• Language: English
• ISBN: 1559361530
• ISBN13: 9781559361538
• Release Date: April 1998
• Publisher: Theatre Communications Group
• Length: 112 Pages
• Weight: 0.20 lbs.
• Dimensions: 0.4" x 5.5" x 8.5"

Customer Reviews

Don't read the play, PERFORM IT!

The first time I read this script, I thought it would not be a good play at all. However, my school then put the play on, and I had the part of Frazier. Not only was it the most amazing experience of my life, I began to truly realize the amazing depth and excellence of this script. It is aboslutley amazing if directed well.

A woman's life, a century, wise & sad

Well, I think you should read the play if you're going to review it. I mean, that is the point of a BOOK review, isn't it?I both saw and read it, and onstage, one couldn't help but be exhilarated by the performance of Cherry Jones, one of our great American actresses. I saw an early version of the play in San Diego, then the slightly rewritten version in New York, and thought the changes made the piece stronger.Tina Howe's voice and vision are spectacular here. Most people ignore her early, surrealist, work, and think of her as the female AR Gurney...writing about loopy wasps, such as in Painting Churches and The Art of Dining.For those who know the early work (Birth and Afterbirth, The Nest), and who have followed her path in the last few years (prior to Pride's Crossing, she wrote One Shoe Off, which was a challenging and dangerous adult play, with more in common with Albee than Gurney), the play will fit in with themes she has explored and pondered for three decades or so.A memory play, the 'present' is the life of the 90-something Mabel Tydings Bigelow, who swam the English channel in the 1920s. Her memory takes her back to her childhood, and the triumph of her youth, bucking the disapproval of her mother, and being ignored by her brothers, marrying a wastrel, and leaving the man she truly loved.I sometimes wonder at the backlash at plays that focus on women and their lives, as they they aren't "important" enough to merit serious critical consideration. It seems to me it's a function of the sexism still inherent in the critical community, and while we've come a long way since the early 1900s, there are still many barriers yet to be broken down.