The Practical Stylist with Readings and Handbook

by Sheridan Baker

Book Overview

Emphasizing thesis and the structural integrity of the essay, this book provides organizational techniques to help students create sound essays, while the expository modes such as description,... This description may be from another edition of this product.

• Format: Paperback
• Language: English
• ISBN: 0321011821
• ISBN13: 9780321011824
• Release Date: June 1997
• Publisher: Longman Publishing Group
• Length: 540 Pages
• Weight: 2.15 lbs.
• Dimensions: 1.1" x 6.4" x 9.3"

Customer Reviews

The Practical Stylist by Sheridan Baker

This is an excellent volume for teaching quality literarycriticism to collegiate-level students. In primary andsecondary school, the emphasis is on sentence construct.i.e. A good sentence must have a subject, verb and object.Although students may learn the mechanics of writing,they do not pick up fine nuances in literary expression.This work forces the student to develop a basic idea or theme.Once developed the point of view must be defended persuasively.The thesis of the work is contained somewhere in the firstparagraph. Sentences should be simple and stated actively.Finally, each work should be developed in successive draftsfrom the first to the final draft. I've found that studentshave a problem differentiating literary criticism from asimple regurgitation of what they read. The Practical Stylisthelps to focus each student's attention on enunciatingcriticism of a person nature or within the experientialdomain of a first hand knowledge. It's painful to learn todevelop quality literary criticism because the primary andsecondary education simply does not focus on this aspectin any meaningful depth.

The Practical Stylist by Sheridan Baker

This is an excellent volume for teaching quality literary criticism to collegiate-level students.In primary and secondaryschool, the emphasis is on sentence construction. i.e. A good sentence must have a subject, verb and an object.Although students may learn the mechanics of writing, theydo not pick up the fine nuances in literary expression.This work forces the student to develop a basic idea ortheme. Once developed, the point of view must be defendedpersuasively. The thesis of the work should be containedsomewhere in the first paragraph. Sentences should be simpleand stated actively. Finally, each work should be developedin successive drafts from the first to the final drafts.I've found that students have a problem differentiatingliterary criticism from a simple regurgitation of what theyread. The Practical Stylist helps to focus each student'sattention on enunciating criticism of a personal nature orwithin the experiential domain of first-hand knowledge.It's painful to learn to develop quality literary criticismbecause the primary and secondary education simply does notfocus on this aspect in any meaningful depth.

Practical Says it All

I used (an earlier edition of) this book in an English composition class at the University of Kansas in the late 70's and have kept it with me ever since.This book has so much to recommend it, it's hard to pick out one thing to emphasize, but the best advise I came away from the book with was Baker's admonition to give your writing the "Argumentative Edge." Like so many students, I found writing exceedingly painful: to sit down with a blank sheet of paper and begin writing inspired me not at all. I thought that I had to sound like Encyclopedia Britannica to write well.Sheridan Baker slaps you around good to get that notion out of your head. To make your writing interesting (and as a bonus easier), he insists that your writing take a position, express an opinion, argue a point of view. Ditch "fairness" and objectivity--at least to get you started--and all of a sudden, writing becomes pleasurable.I've never read this advice anywhere else (not even in Stunk and White), and it, along with many other jewels of wisdom have stuck with me for 20 years, making my writing life so much more fun than it otherwise would have been.Goog work, Sheridan.

Best of It's Type

I first used this book in 1967 when I was aboard ship taking a course in Expository English offered by The Harvard-M.I.T. Commission on Extension Courses. It has everything one needs to know to become a clear, concise writer. Easy to understand and enjoyable. I used it for many years, then it was stolen. I have been looking for another copy ever since and was afraid it was out of print. I'm about to order my second copy.

Practices what it preaches, useful and well-written

I first encountered this book as an undergraduate in Australia in 1981. When I taught mathematics in Zimbabwe I gave my copy to the English Department. I have owned and given away (one stolen) several copies since. So I must think it's the best book in its genre.