Power and Imagination: City-States in Renaissance Italy

by Lauro Martines

Book Overview

Strong Words is a social history of the Italian Renaissance (1300-1560) in a cultural key. Using tales, poetry, prayer, and letters as prime sources, Lauro Martines probes religious sensibilities, love, alienation, explosive feeling against political auth

• Format: Hardcover
• Language: English
• ISBN: 0394501128
• ISBN13: 9780394501123
• Release Date: January 1979
• Publisher: Alfred A. Knopf
• Length: 368 Pages
• Weight: 1.75 lbs.

Customer Reviews

Politics and Intellectual Culture

Martines devotes himself to 2 themes. The first is Power; the history of the distinctive political culture of Italian city states. The second is the relationship between political/social history of the city states and the flowering of Renaissance high culture. Martines' primary goal is to expose the social phenomena that led to the efflorescence of Renaissance high culture. The first half of the book is a solid and well written history of the emergence of republican city states in Nothern Italy. Martines covers the Medieval background, the struggle of city based elites to establish control over the cities from the feudal nobility and other traditional actors, the emergence of more republican forms of government, and the eventual emergence of powerful oligarchies. This part is a generally well balanced combination of overview and specific examples which gives an idea of the diversity of events in different city states. Martines gives some idea of how the civic and republican oriented attitudes engendered by the city states generated something new in Western culture. The second half of the book is primarily a social history of Renaissance high culture, examining its relationship to the status of elites in the city states. For example, he sees humanism as primarily a program for the oligarchic elites of the city states. Fifteenth century art, with its emphasis on realism and human activities is seen as an extension of the self-confidence and sense of mastery of city state elites. The political and social disaster that followed the French/Spanish invasions of the Italian peninsula are shown to provoke be reflected in a variety of intellectual changes. These include the flight to fantasy on the part of poets like Tasso and Ariosto, the emphasis on uncontrollable forces (fortuna) in the work of Machiavelli and Guicciardini, and the emergence of the Mannerist style in art. Martines is an astute critic and the social history of high culture is the best part of the book. While this book is not really intended as a comprehensive overview of the Renaissance, there are a number of deficiencies. While Martines does mention the importance of changes in population and trade, there is little discussion of demographic or economic history per se. Addition of even a small amount of data would have been useful. There is really no discussion of the effect of the great 14th century Black Death and subsequent plagues. I find it hard to believe that this demographic catastrophe didn't have something to do with the emergence of seignorial rule in approximately the same period. Martines's discussion of high culture doesn't touch on science at all and an expanded discussion of political theory would have been appropriate.

genious

This book is perhaps the definitive intellectual work on power relationships within Renaissance Italy. Power and imagination in the City-States formed in a reciprocal relationship. Artistry oft relected what patrons desired more than anything else. Patronage kept the purse and told painters exactly what to paint and even allocated how much of what paint to use. Thus great works of art and intellect not so much reflected the imaginative genious of individuals as the pull from strings of power. The irony is that this gave birth to intellectual freedom. Martinez is a true genious in telling the theoretical as well as practical implications of this.