Plein Air Painting in Oil

by Frank Serrano

Book Overview

Explore the simple techniques and practical tips for painting dynamic landscapes outdoors. When you are ready to take your hobby to the great outdoors, then you are ready for this comprehensive guide... This description may be from another edition of this product.

• Format: Paperback
• Language: English
• ISBN: 092926181X
• ISBN13: 9780929261812
• Release Date: January 2002
• Publisher: Walter Foster Publishing
• Length: 64 Pages
• Weight: 0.51 lbs.
• Dimensions: 0.2" x 6.5" x 9.4"

Customer Reviews

Best buy for the money by far

LOVE THIS CHEAP BOOK!! Step by step instructions. List of tools to use. Easy to understand language on painting. Gets to the meat of the subject without all the frills. Highly recommend this book as a staple in your painting education if you havent had a class like this.

Very Good Plein Air Painting Primer

This book is simple and straight forward. I really simplifies the whole process of this technique. The author even specifically tells which palette colors to use! Love this book!

A genuinely helpful book for the beginning plein air painter

I am a beginning plein air painter. As a working adult, I don't have time to take a university extension course ot enroll in local art classes. For the time being, I have to make do with instruction from books, and inspiration from published collections, galleries, art shows and museums. I purchased and read a large number of books - in and out of print - on drawing and painting. There is a great deal of fine material out there, but at the very beginning stage I find Frank Serrano's little book to be the most helpful. Winston Churchill came to recreational painting as an adult, and in his characteristic fashion described, in another very inspiring little book ("Painting as a Pastime," Odhams, London (1965), the essential challenge (facing the blank canvas, brush in hand), and the essential quality the beginner must find within him- or herself: the audacity to put the first daub of paint on the canvas: "Having bought the colours, an easel, and a canvas, the next step was to begin. But what a step to take! The palette gleamed with beads of colour; fair and white rose the canvas; the empty brush hung poised, heavy with destiny, irresolute in the air. My hand seemed arrested by a silent veto." There are numerous "how to get started" books in print that deal with oil painting. What makes Serrano's so valuable is it's simple, direct approach to putting the paint on your brush and then on the canvas. It is a quality of this book, and not a failing, that it does not attempt to cover too much material. Serrano sticks to the basics, and describes them with admirable simplicity and directness. His approach is not so simple as to be condescending, though. As a beginning painter, I feel some of the lack of control that I felt when learning to drive. At first there seem to be so many things to think about: mixing the colors to replicate what you see, considering the overall compositional plan of the canvas, keeping in mind the shadows and the highlights. Just one example of a beginner's challenge is to shade the green of the leaves on a tree so that the sunlit leaves are bright and the leaves in shadow are dark, while maintaining the proper character of the green between lit and shadowed areas. The essential value of Serrano's book is that it focuses on the essentials. Any more detail, and the beginner could go into "information overload." Getting the level of detail is very important in a book aimed at beginners in any discipline. If the student is so burdened with "do's and don'ts" and details that they become confused, or worse, discouraged, the teacher has failed. Yet, there seems to be a tendency for teachers/writers to want to "strut their stuff," to show how well they have mastered the details of the craft. They forget that beginning is not about details, its about fundamentals, and getting those fundamentals right. That's the foundation the beginner needs to progress. Frank Serrano has not forgotten w

A workshop for the price of lunch!!

This is by far the best plein air painting book for the money that I've ever purchased! It's packed full of easy-to-understand lessons on every page. Excellent for either the beginner or intermediate-level oil painters out there. Advanced painters probably already know most of this stuff, so should probably turn to Richard Schmid's "Alla Prima." I think the only other plein air painting book that's as good as this one is Kevin MacPherson's. The author presents step-by-step lessons throughout the book, and de-mystifies a lot of concepts and techniques. I think many people will learn more from this book than from a typical plein air workshop as the writing and photos are well-done, and because Frank has put a lot of effort into clear and concise writing. My only complaint is that I wish it was much longer!

Do not miss this gem in the making. Get it now.

This little gem is one of the FINEST how-to books about oil painting that you will ever read, or come across in your life-time. I strongly suggest that you get this book before it goes out of print-and enjoy it forever. For a mere price of a fish-and-chips order, you just cannot go wrong. But, the problem with that fish-and-chips order is that once eaten, everything is gone forever. You will have this book for as long as you live to enjoy, and possibly to share, if you were to buy a copy. You simply cannot go wrong there. Can you? The hidden beauty of this amazing little book is that it is only 64 fantastic pages that you could read again, and again without getting bored. Every single line of the text is full of secrets. Serrano uses only eight oil paints, and three brushes in order to create those depths, and textures in each painting in the book. When he describes each painting in the book, it is like you are painting that painting by yourself alone, and Serrano is behind you holding your hand with your brush. For example, how to do trees simply, and rapidly without fiddling endlessly with details; or, skies; or the time of the day; or foggy/misty scenes; or whatever you fancy... I wish I had this incredible book back during my university days... There are 12 painting lessons from easy to complex topics; and a wonderful gallery at the end. Here are the lessons: painting step by step; creating dynamic compositions; simplifying a subject; capturing light & shadow; expressing mood; building texture; finding a good focus; conveying time of day; depicting distance; deciding what to paint; using negative space, and exercising artistic licence. Here are the chapters: introduction; a word from the author; tools & materials; colour in Plein air painting; painting techniques; painting skies & clouds; painting trees/water/rocks/figures; gallery, and conclusion. This book has taken my breath away. It may take yours, too! You have nothing to lose, but an order of those stupid fatting fish-and-chips. Get this book, now; before it is too late-if you know what I mean. Frank Serrano is a disguised masterpiece painter. (The above review has been written with the British spelling.)