The three plays of Charles Robert Maturin, produced in London between 1816 and 1819, document Maturin's attempts at theatrical success. His first three novels were not popular, but his luck improved with Bertram (1816), which ran for twenty-two nights. Even with this success in hand, Manuel (1817) and Fredolfo (1819) failed completely, partly through the sabotage of indifferent actors and a fickle public. A posthumous play, Osmyn, the Renegade, had...