Picasso at the Lapin Agile and Other Plays: Picasso at the Lapin Agile, the Zig-Zag Woman, Patter for a Floating Lady, Wasp

by Steve Martin

Book Overview

Steve Martin is one of America's most treasured actors, having appeared in some of the most popular moves of our time. He is also an accomplished screenwriter who has in the past few years turned his hand to writing plays. The results, collected here, hilariously explore serious questions of love, happiness and the meaning of life; they are rich with equal parts of pain and slapstick humour, torment and wit.

• Format: Paperback
• Language: English
• ISBN: 0802135234
• ISBN13: 9780802135230
• Release Date: August 1997
• Publisher: Grove Press
• Length: 160 Pages
• Weight: 0.46 lbs.
• Dimensions: 0.5" x 5.5" x 8.3"

Customer Reviews

An extremely funny take on serious stuff

Steve Martin has always been a "serious" writer, in that he is interested in using humor to make people think and to highlight ideas in new ways. "Picasso at the LapinAgile" is a delightful piece of theatrical slight of hand wherein he creates the meeting of the century that never happened between the most influential scientest and the most influential artist and, after a wonderful setup, does a quantum leap into the absurd. It's fun to read and on stage (I saw the production at Ford's Theater in D.C.) it is fantastic.Recently on a trip to Paris I climed Montmarte Butte to find the site of the Lapin Agile, the bistro in which Martin's play is set. It is still there and still in business, but alas, never saw nor will see a coming together of intelligence, talent and ego such as that envisioned by Steve Martin in this play.This is very smart comedy but funny enough in other ways to work for most audiences. I highly recommend it.

See it staged!

Picasso and Einstein meet for coffee. I saw this produced at Cambridge's American Repertory Theater and returned twice in order to get my fill. To date, this is Martin at his finest. His theme, the dependant and invisible relationship between the seemingly disparate worlds of art and mathematical science, is deftly explored with the whimsy of his previously published short stories. Please, do not be swayed by previous reviewers who are thrown by effects based on simple theatrical devices such as asides or sotto voces. These forays into the audience (to me) represented the Theory of Relativity's elastic concept of time and space as applied to the artistic presentation of story. Without having to bow to the box-office-numbers God of film, Martin is free to run with his wonderful intellect. I suggest you come along for the ride.

See it staged

Picasso and Einstein meet for coffee. I saw this produced at Cambridge's American Repertory Theater and returned twice in order to get my fill. To date, this is Martin at his finest. His theme, the dependant and invisible relationship between the seemingly disparate worlds of art and mathematical science, is deftly explored with the whimsy of his previously published short stories. Please, do not be swayed by previous reviewers who are thrown by effects based on simple theatrical devices such as asides or sotto voces. These forays into the audience (to me) represented the Theory of Relativity's elastic concept of time and space as applied to the artistic presentation of story. Without having to bow to the box-office-numbers God of film, Martin is free to run with his wonderful intellect. I suggest you come along for the ride.

"Picasso" is a witty look at the turn of the century.

Steve Martin's "Picasso at the Lapin Agile" is a well- constructed and amusing read. Seeing it performed is ideal, but reading it is also rewarding. The use of subtle humor and irony by Martin provides the reader with a quick and enjoyable read. With all of the recent talk about the entrance into the 21st century, the play's references to the turning of the 20th are especially funny. I recommend this play highly to anyone.

Tremendous plays!

For anyone looking to direct a wonderful, challenging one act play, try this collection! I directed WASP (which is full of fantastic monologues, just right for auditions for both men and women) and have been constantly thinking of new ways in which it could be interpreted. There is a lot of room for a director to innovate within the text. The other plays in this collection -- I have read them happily, thinking of their surprisingly poignant possibilities. I highly recommend this collection to anyone who is ready for a fun, compelling artistic challenge!