I prefer a doomsday mood and I love to laugh at bad news« It was arguably during the 1960s that painting got caught up in the loop of permanent rehash and constant transformation, which--in contrast to the hypothesis of progress--forms the working principle of postmodernism. Peter Saul (* 1934 in San Francisco) is one of the most important protagonists of this radical change that is often, and rather inaccurately, connected exclusively...