Drawing was central to C?zanne's indefatigable search for solutions to the problems posed by the depiction of reality. Many of his watercolours are equal to his paintings, and he himself made no real distinction between painting and drawing. This book's six chapters are arranged thematically covering the whole range of C?zanne's oeuvre: works after the Old Masters such as Michelangelo and Rubens; his period as one of the Impressionists; his exploration...