Owl Moon

by Jane Yolen

Book Overview

Celebrating 30 years of the beloved classic Owl Moon from renowned children's book author Jane Yolen and Caldecott Medal-winning illustrator John Schoenherr Late one winter night a little girl and her... This description may be from another edition of this product.

• Format: Hardcover
• Language: English
• ISBN: 0399214577
• Release Date: October 1987
• Publisher: Philomel Books
• Length: 32 Pages
• Weight: 0.89 lbs.
• Dimensions: 11.3" x 0.4" x 8.9"

Customer Reviews

Such a sweet story

This is a great story about a father and daughter walking through the woods looking for an owl. (Spoiler: they find one.) This would be a great read aloud for kiddos in the month of January.

Love it!

Beautiful Winter Book!

This book is so great to read (with feeling) to your children. My 4 year old great- granddaughter w

The book describes things so well, one even feels the cold. My child was very quiet and listened as if she were actually in the book.

Owling owling through the night

I think it's entirely possible that Jane Yolen may be the most prolific children's author living today. Don't believe me? Try clicking on her name to pull up a list of the books she's written. Then take a gander at the literally hundreds (if not, dare I say it, thousands) of books alive today because of her. It's a bit of a relief then that at least one of them won the Caldecott Medal. "Owl Moon" deserved it too. It is a sweet yet not overly sentimental tale about a nighttime owling trip taken by a girl and her father. In this tale we first get a spectacular view from above (owl's eye view, I should say) of a small farm in the country. Two figures leave the warm home to tramp in the snow. The moon is brightly lit above so that (as the book says), "the sky seemed to shine". The girl has never been owling before but she understands the rules intrinsically. One must be especially quiet on these occasions. Once in a while the girl's father calls a deep, "Whoo-whoo-who-who-whooooooo" into the woods, but he does not receive a reply. They walk on through the cold until they come to a clearing in the woods where the snow is so clean and pure that it looks like a bowl of milk. The father hoots again and this time receives an answer. An owl comes closer and closer, finally landing on a nearby branch just as the father shines his flashlight on it. There, the reader sees a magnificent two page spread of an owl, its large wings open beside it, regarding the girl and her parent. Then it's off and the adventure is done. Says the girl, "I was a shadow as we walked home". A couple remarkable occurrences marked the creation of this book. Jane Yolen's husband would often go owling with their three children, and she felt (quite rightly) that it would make a great picture book. By coincidence, illustrator John Schoenherr was an owling fellow himself. And though he had given up book illustrating in favor of his own personal paintings, Schoenherr was convinced to try his hand one more time with "Owl Moon". The fact of the matter is, it's a very good thing he did. Though the story in this book is lovely and telling, the pictures really bring it to life. You can read a sentence like, "I could feel the cold, as if someone's icy hand was palm-down on my back", but its only going to strike home if the accompanying picture is appropriate and evocative. Here, fortunately, Schoenherr excels. It must be very difficult to paint nighttime scenes that are lit by snow-reflecting moonlight, yet the book displays this very particular style perfectly. Now to be perfectly frank, I found myself grumbling for about half this book about its medal. I thought the pictures were lovely but I hadn't yet seen anything that really stood out or took my breath away. Then I came to the aforementioned two-page spread of the owl sitting on a branch. In that single picture Schoenherr completely gives away how talented he is. The owl is completely realistic yet overwhelmingly majestic. There's e

Simple yet strong

Owl Moon by Jane Yolen and illustrator John Schoenherr created a wonderful adventure about an experience between a little girl and her father owling in the forest. Owling is the act of looking for an owl at night by calling out: "Who-whoo-who-who-who-whooooooo." To go owling you have to be brave and quiet. You don't need words or warmth. All you need is hope. This book won the Caldecott Award in 1988. It was written for children four to eight years old and is a great bedtime story for children. The artistic media used is watercolor. The artwork made me feel as if I were walking in the woods quietly with the characters. Each page conveys the feeling of actually being in the woods. I also enjoyed looking at each page for hidden animals within the illustrations. The illustrator spread each drawing across two pages using space to illustrate the openness and size of the woods. The story is told from the girl's point of view as they walk through the woods in search of owls. The setting of the woods creates a quiet space that shows a bond between a father and his daughter. The special time being spent by the girl and her father is never actually pointed out, but the words along with the illustrations created a feeling of spending quality time with a parent. It paints a picture of a memory that a child will never forget. The sentences are short and there aren't many words, but the author's style along with the illustrations are enough to tell the story and leave your imagination roaming. The story is organized in a way that one action leads to another smoothly. It is told very simply and without the need of fancy words to get the story, mood, and thoughts across to the reader. The illustrator used a combination of various lines. There are short, long, heavy, light, straight, and curved lines. Most of the lines are painted at a diagonal angle that creates a feeling of motion. The lines definitely convey emotions of tranquility and quiet. Most of the colors within the paintings are warm colors like different shades of blue to create the feeling of a chilly night and darkness. They are also mixed with white to create a sense of space. The colors compliment each other wonderfully. The various shades of brown depict the trees and owl. I like the way that the colors are more defined in the front of the picture and blur away in the background to create depth. The illustrations and the way they are positioned and shaped make it clear what the subject of the paintings are. The texture of the paintings is soft and smooth. They give the illustrations an impression of realness. They also provide contrast within the picture. The composition of the artwork doesn't take away from the story. I believe that it adds to the book. Each page has a white space for the words and the images of the paintings are created around the words. Everything is blended together in a way that nothing stands out more than anything else, but the author still managed to make the story stand

Magical Encounters with Nature for Father and Daughter!

Let me clear up one mystery. The dust jacket of this book clearly indicates that this is a story about a girl and her father ("Pa"). The illustrations also clearly show a little girl. The story's appeal relates to this because the experience described is one that crosses nicely between what many think of as the "feminine" worlds of beauty and the moon and the "masculine" worlds of tracking animals and rambling around at night in the snow during winter. I do think that boys will like the story too. Owling would be a great adventure for any child. The experience is a magical one. The daughter is going owling for the first time. This is a type of bird watching that must occur at night, because owls are nocturnal. You have to have a full moon (or close to one) so that you can see the owls. The silvery moonshine creates great contrasts of light patches on the snow against a backdrop of treed shadows. "When you go owling you have to be brave." There are other requirements. "If you go owling, you have to be quiet . . . ." "When you go owling you don't need words or warm or anything but hope." The book also evokes primitive sound. Her father calls out: "Whoo-whoo-who-who-who-whooooooo . . . ." to simulate the call of the Great Horned Owl. That's how you find an owl. You hope one will be attracted by the call.Then, the magical moment occurs, and an owl comes. You are face to face. Can such a moment be forgotten? The owl leaves. The relief is palpable. "I knew then I could talk, I could even laugh at last."As you can see, the story is a wonderful metaphor for going out to find opportunities in the wide world and creates an optimistic expectation of the sort that will serve your child well. It is thrilling to read the story because the excitement and suspense are so strongly captured by the words and images. This book will be a favorite among those that you read to your child. As you do, you will be creating a similar bonding experience. This book has won the Caldecott Medal for outstanding illustrations. You will enjoy its subtle watercolors and minimal inking of line. The illustrations create the perfect mood for this magical tale of nature and bonding. After you read this book, I suggest that you take your child bird watching even if owling isn't available to you. But if you can get to a forest (or an area where there are barn owls), an owling trip could be an enormous joy. You may want to read up on how to find owls first. Seek out what you want, and do it with people you love.

Good Parenting and instills love of nature

Owl Moon is a wonderful story of a young girl's first hunt for the Great Horned Owl with her father. As they trek through the snowy forest, Jane Yolen's text and John Schoenherr's illustrations work together to create a realistic adventure and to express good parenting. The picture book comes to life through a peaceful countryside and a still forest. The child's continual silence and concentration add to the hunt. Within the text the child says, "I put my mittens over my mouth and listened hard." This displays her constant effort to remain quiet and to take the adventure seriously. Each illustration depicts a calm forest dominated by snow and nature. I feel that this book contains ideas that are "simple but not necessarily simplistic" much like Perry Nodelman's analysis of children's literature (221). For instance, in many scenes animals can be found hiding without the knowledge of the characters. The animals all sit calmly. This shows that the intent of the father and child is not to disturb nature but to quietly observe and to be apart of it just while they pass. This idea can not be found written within the text yet, it is understood when they see an owl and do not shoot it. This peaceful respect for nature that the father is instilling in his child is shown when they came to the clearing in the dark woods. She speaks of how the fit it exactly "and the snow below it was whiter than the milk in a cereal bowl." This emphasizes her grasp of the beauty and enjoyment natural world in a child-like way. It brings to mind games equal to finding shapes in clouds. The illustrator has also gone through the trouble of presenting the field in the shape of a large bowl. I feel that the most important aspect of the work is the example of good parenting it delivers. He spends quality time with his children, while he instills important morals. Pa has also taken all of her brothers owling and they have told her "sometimes there's an owl and sometimes there isn't." This reveals a sense of close family unity in which can be seen as the positive message of the story. However, the tone is not didactic. Pa even uses onomatopoeia to make the adventure more intense. He calls the owl with a long "Whoo-whoo-who-who-who-whooooooo." All of this helps emphasis the joy of the communion with nature. Her father has been instilling a respect for the owl and natural world, while strengthening the father child relationship.