No Heaven

by Alicia Suskin Ostriker and Cleo Qian

Book Overview

Alicia Suskin Ostriker's voice has long been acknowledged as a major force in American poetry. In No Heaven, her eleventh collection, she takes a hint from John Lennon's \u0022Imagine\u0022 to wrestle with the world as it is: \u0022no hell below us, / above us only sky.\u0022 It is a world of cities, including New York, London, Jerusalem, and Berlin, where the poet can celebrate pickup basketball, peace marches, and the energy of graffiti. It is also a world of families, generations coming and going, of love, love affairs, and friendship. Then it is a world full of art and music, of Rembrandt and Bonnard, Mozart and Brahms. Finally, it is a world haunted by violence and war. No Heaven rises to a climax with elegies for Yitzhak Rabin, assassinated by an Israeli zealot, and for the poet's mother, whose death is experienced in the context of a post-9/11 impulse to destroy that seems to seduce whole nations. Yet Ostriker's ultimate stance is to \u0022Try to praise the mutilated world, \u0022 as the poet Adam Zagajewski has counseled. At times lyric, at times satiric, Ostriker steadfastly pursuesin No Heaven her poetics of ardor, a passion for the here and now that has chastened and consoled her many devoted readers.

• Format: Paperback
• Language: English
• ISBN: 0822958759
• ISBN13: 9780822958758
• Release Date: March 2005
• Publisher: University of Pittsburgh Press
• Length: 144 Pages
• Weight: 0.55 lbs.
• Dimensions: 0.5" x 6.1" x 8.6"

Customer Reviews

Poetry in the Moment and After

(Alicia Ostriker read at the West Side YMCA on Friday, February 2, 2007 as part of the Writer's Voice Visiting Authors Series. This is from my introduction to the event). Reading Alicia Suskin Ostriker's poems in No Heaven is like having someone who needs to impart something essential to you leaning in, quietly and yet with great intensity, showing you something of utmost importance, never lecturing, never condescending, the unearthing of vital information seeming to occur in the moment of telling, so when, the payoffs in the poems themselves take place, in the burst of the revealed moment, the impact is intense and profound. The ease of the language, its casualness and conversationality might make one overlook to care with which the language here is wrought. Alicia shows relationships as clearly the commingling of two distinct entities; whether we completely understand the person we're with or not, these poem's simple conversations mirror the familiarity of those long together, whether lover, family member or dear friend. There's that easy connection, yet always so fragile, knowing that we must make ready to part from all we love and hold dear, and yet how we must always stay in the moment, so that what we have will not become subsumed by what we have lost, or will lose. She writes, in the poem "Mid-February": "Friend, it's a day for a walk are we going to walk it?" ...and that becomes the challenge of these poems, to have us not waste the day, not take for granted that the beauty and pain and joy and sorrow will continue ever on.

Another Achievement from an Essential American Poet

Alicia Ostriker is a quintessential American poet in the tradition of Walt Whitman and Muriel Rukeyser. NO HEAVEN is the follow-up to Ostriker's brilliant VOLCANO SEQUENCE (lamentably left off the Pulitzer, National Book Award and National Book Critics Circle Award lists)--and here once again we find Ostriker writing poems about real people, crucial human experience and the spiritual essence that runs through everything. NO HEAVEN is a brilliant collection that is hard hitting ("Liking It," "Tearing the Poem Up and Eating It," "Elegy before the War,"), tender ("Brooklyn Twilight," "In the Forty-Fifth Year of Marriage"), and humorous ("When we leap, we hang in the air like Nijinsky taking a nap" from "Pickup," ". . .when/that brilliant Jew poet took/The train for the next world/American nirvana/Temporarily went with him" from "Elegy for Allen.") NO HEAVEN contains crucial poems for our misguided times from one of America's (or should I say the world's?) best, bravest, and most eloquent poets.

Everything Poetry Should Be

No Heaven is a terrific book-- just what poetry should be: at once moving, because it touches old and deep knowledge, and new because it opens heart and mind again. Death is always present as real, heightening consciousness. Every poem contains "a piercing glance into the life of things," as Marianne Moore said, a unity of soul and form. Ostriker reveals the horror and sacredness of everyday life by constantly reinventing the words believed to be ordinary, here transformed. Buy this beautiful collection and find yourself in no heaven but on incandescent eternal ephemeral earth -- the place to be human.