Nights as Day, Days as Night

by Michel Leiris

Book Overview

Literary Nonfiction. Poetry. Autobiography. Translated from the French by Richard Sieburth, with a foreword by Maurice Blanchot. Hailed as an "important literary document and contemporary pleasure" by... This description may be from another edition of this product.

• Format: Paperback
• Language: English
• ISBN: 094141907X
• ISBN13: 9780941419079
• Release Date: January 1988
• Publisher: Eridanos Press
• Length: 169 Pages
• Weight: 0.85 lbs.

Customer Reviews

"These were once dreams; they are now signs of poetry"

"Our dreams are a second life."-Gerard de Nerval"Dream---a scintillating mirage surrounded by shadows---is essentially poetry."-Michel LeirisMichel Leiris' "Nights as Day, Days as Night": In the introduction to Leiris' forty year collection of dreams, Maurice Blanchot asks, "Who dreams in dreams? Who is the "I" of dreams? Who is the person to whom this "I" is attributed, admitting that there is one? Between the person who is sleeping and the person who is the subject of dream events there is a fissure..." The dislocation which seems to be the source of who exactly we are in dreams may spring from the fact that in our dreams everything takes on an almost theatrical aspect, sometimes we are spectator & sometimes we are actor, other times we are a combination of the two. One of Leiris earliest poetic mentors was Max Jacob, & two of the dreams related in the book involve him. In fact the manner in which Leiris records some of his dreams are reminiscent of certain of Max Jacob's prose poems. The following one by Jacob, "Literary Standards" would not be out of place in Leiris' book: "A dealer in Havana sent me a cigar wrapped in gold which had been smoked a little. The poets sitting with me said he'd done it to mock me, but the old Chinese who was our host said it was the custom in Havana when one wished to show great honor. I brought out two magnificent poems a scholar friend had written down translations of for me because I admired them when I heard them read. The poets said they were well-known and worthless. The old Chinese said they couldn't have known the poems because they only existed in a single manuscript copy in Pehlvi, a language they didn't know. Then the poets started laughing loudly like children while the old Chinese gazed at us sadly." As Blanchot stated in the introduction, "These were once dreams; they are now signs of poetry."The greatest of the recorded events to be found in Leiris' book are the pages dedicated to dream elements overflowing into his waking life, communicating vessels. In the page dated May 4, 1943 Leiris describes a middle-aged man lurking around who seems to be nightmarishly fake, "A real cop or a mere civilian? Or nobody in particular? I asked myself the question but could not resist considering this shady character to be some sort of specter or macabre merrymaker who, having donned a terrifyingly contemporary disguise, was waiting for some shadowy carnival to begin."In a few of the recorded dreams he notes that he realized he was dreaming & tried to wake himself up, he tells us it is usually by falling. This is a common dream phenomenon, & it may appear to be simple. We are having a nightmare, realize it is a dream, & then struggle to wake up. The interesting thing though is that it is usually after the realization we are having a dream that things in our dream become even more concrete & real, it is not just about waking up, it is almost as though we are trying to cheat death. Leiris records somethi

A Life in Dreams.

This book, first published in 1961, is commonly considered to be a companion to Leiris' great autoethnographic work, _Manhood_. It is simply a collection of recorded dreams spanning a couple decades. Beyond the fact that Leiris' dreams are interesting, what adds value to the work is that is that it's historical and biographical context can be reconstructed through Leiris' other work. Highly recommended for those interested in Leiris, surrealism, or the social network surrounding Georges Bataille.