In his new paintings Nick Goss seems to aim at the modus of memory; how at any given time it necessarily contains more than one place, more than one logic. On the other hand it's easy to read Goss's works within the logic of the modernist collage, or the cubist compulsion for cutting up. In his canvas "Last of England," a throng of people are trapped in Weimaresque fashion as if inside a shattered mirror--a bag, a scarf, something carried under an...