Nicholas Ray: An American Journey

by Bernard Eisenschitz

Book Overview

This is a biography of Nicholas Ray - one of the most distinctive directors in America in the 1950s. Films like They Live by the Night, In a Lonely Place, Johnny Guitar and Bigger than Life reveal the psychic ills of the 1950s more than any other films of that period. Ray's brooding pessimism and rebellious individualism reached its peak in his most famous film, Rebel Without a Cause.

• Format: Hardcover
• Language: English
• ISBN: 0571140866
• ISBN13: 9780571140862
• Release Date: January 1993
• Publisher: Faber & Faber
• Length: 599 Pages
• Weight: 2.25 lbs.
• Dimensions: 2.1" x 6.3" x 9.5"

Customer Reviews

Great book on a great director

I actually attempted to contact Mr. Eisenschitz to thank him for delivering this book going as far as contacting his publisher. I go back to this book over and over as it contains a wealth of information about the great man Nicholas Ray. If you haven't read this, get it now. Also, get Ray's book I WAS INTERRUPTED; a heartbreaking book composed of various entries toward the end of Ray's life. What a journey through a life of creativity and moviemaking. Eisenschitz manages to compose a meaningful portrait of Ray's life with amazing detail covering all periods and various lives ray led. I found the rambling years and failed projects Ray attempted the most fascinating ending with his 'folding chair' positions at various colleges, and his meeting in Chicago '68 with Susan. And his eventual surrender with alcoholism. A genius work. And: Mr. Eisenschitz, if you by-chance read this, I was looking for you, and e-mail me (jamessturch@cs.com) so I can tell you of my gratitude.

Thorough examination of American auteur director

Cinema and theatre lovers should find this book an interesting and revealing read. Bernard Eisenschitz has done credit to another American film master more appreciated in Europe than in his own country. The early chapters are especially interesting in regard to Ray's apprenticeship and contribution to theatre in New York and elsewhere. Theatre of Action, Federal Government subsidies for the arts and the whole question of government support and the benefits these brought, Voice of America, and Ray's sympathies for the marginalised of American society are all attentively addressed by the author. Insights into the relationships between studios and artists, the power of stars, the evolution of scripts, the egoes of such as Joan Crawford, the genesis of some memorable even iconographic films such as Rebel Without a Cause, make for an excellent read. At least two films Ray made, In A Lonely PLace and Johhny Guitar, can be reckoned as American masterpieces and for these alone Ray deserved this biography. It contains 79 illustrations, extensive notes, a detailed filmography and comprehensive index. I recommemd this text for the general reader even vaguely interested in American cinema.