Mysteries of the Worm

by Robert Bloch

Book Overview

H.P. Lovecraft like his creation, Cthulhu never truly died. He and his influence live on, in the work of so many of us who were his friends and acolytes. Today we have reason for rejoicing in the... This description may be from another edition of this product.

• Format: Mass Market Paperback
• Language: English
• ISBN: 0890838151
• ISBN13: 9780890838150
• Release Date: January 1981
• Publisher: Zebra Books
• Length: 334 Pages
• Weight: 0.42 lbs.

Customer Reviews

Good Mythos work

These stories very much parallel Lovecraft's own writing, with a different mad writer and tome. But that's okay, because that's what the Mythos is about. It wasn't intended to be great literature but a literary game. Bloch's early work has the same clumsiness as HPL's early work, and very similar atmosphere and plot elements. His middle stories are well-developed myhtos stories and are just as fun to read as Lovecraft originals. The back-and-forth that Bloch had with Lovecraft involving killing each other via horrible monsters in their stories was amusing. Bloch's later work was very interesting and took the concepts of the mythos in interesting directions. "Notebook Found in a Deserted House" is an example, as is "Terror in Cut-Throat Cove", which was certainly original even if the ending is terribly campy. In short, the stories are good and worth purchasing. Also, the binding has held up well with little spine damage (this was a concern when I first saw these trade paperbacks, that they might not survive much reading, but that seems unfounded, at least in the 2nd ed.)

Fantastic collection

I've been a fan of the Mythos for about 8 years and I can say with certainly that this book is one of my favorites. Bloch's vision of the Mythos is both faithful and innovative. He doesnt spasmotically drop spooky names (like Derleth) and he doesnt write with an overly complicated and hard to read style (like Carter). Of all of Lovecraft's cadre of friends, Bloch is one of my favorites. By all means pick this book up!

Robert Bloch's contributions to the Cthulhu Mythos

Mysteries of the Worm is a collection of early Robert Bloch stories, several of which had not seen print in over four decades, based on the Cthulhu Mythos cosmology created by H. P. Lovecraft. As a teenaged burgeoning author, Bloch attained a place in the lofty Lovecraft Circle in the two or three years before HPL's untimely death, and his early writing was heavily influenced by Lovecraft. The earliest of these stories dates back to 1937, and it is rather easy to see Bloch's transition as a writer as one journeys from one story to the next. Early pieces such as The Secret in the Tomb are highly derivative of Lovecraft in terms of mood, setting, language, and flourishing style. The Mannikin bears the influence of Lovecraft's The Dunwich Horror and The Thing on the Doorstep. In time, Bloch began making his own contributions to the Mythos by exploring a newly-discovered avenue of HPL's geometrically twisted cosmos. In The Shambler From the Stars, Bloch introduces his own dark tome of mystic lore, Ludvig Prinn's De Vermis Mysteriis, or The Mysteries of the Worm, and it is this contribution to the Mythos that Bloch is most remembered for. The Shambler From the Stars is quite interesting because a character clearly based on Lovecraft comes to a nasty end similar to that of the mad Arab Abdul Alhazred himself. Dark Demon features yet another Lovecraft-based character, this one an author who comes to believe that his weird fiction is in fact truth he has been ordained to preach by Nyarlathotep himself. What I find most interesting about Bloch's stories, however, is the incorporation of Egyptian mythology into the Mythos. Inspired by Lovecraft's mention of Nephren-Ka in The Haunter of the Dark, Bloch takes us into the history of this evil pharaoh whose existence was supposedly all but expunged from Egyptian history. Nephren-Ka and his acolytes worshipped Nyarlathotep himself, and Bloch has ancient remnants of the group surviving under Cairo itself, while some of the worshippers along with a number of the priests of the god Bubastis escaped Egypt and settled eventually on the coasts of Britain, underneath the moors of Cornwall, where they continued their efforts to create a hybrid with the attributes of their deity. Bloch later looked back on many of these early tales with some embarrassment, pointing out the amateur quality many of them possessed. I, however, find all of these stories quite good and great fun to read. I would just point to one other story at this time as being of special interest. After Bloch killed "Lovecraft" in The Shambler From the Stars, HPL kindly reciprocated by killing a Bloch-based character in his classic tale The Haunter of the Dark. That happens to be one of my favorite HPL stories, so I was quite happy to find that Bloch had actually written a sequel to it in the form of The Shadow From the Steeple. While it lacks the stultifying menace of HPL's master work, it proved quite interesting and nostalgic to take

Bloch before Psycho

These early stories show he growth of a master horror writer. The 1st few tales, although readable, are really imitations of Lovecraft and his circle of admirerers. As the stories progress over time, you see the reliance on the Cthulhu Mythos fading to the background as Bloch uses it as a strting point rather than as an end. So although you'll see mention of Yog Sototh and Nyarlohotep, these stories are accessible to readers who aren't "in on it". A good read for Bloch fans, Cthulhu fans or those readers just starting in either group.

Very Fun and Over the Top

No, these are not very sophisticated tales. They will never appear in a New Yorker anthology. But they are a lot of fun and have a certain innocence that is missing from a lot of Cthulhu Mythos fiction. Bloch may have grown and matured as a writer, but I prefer his early tales to his later works.