My Mortal Enemy

by Willa Cather

Book Overview

First published in 1926, this book is Willa Cather's sparest and most dramatic novel, a dark and prescient portrait of a marriage that subverts our oldest notions about the nature of domestic happiness.

As a young woman, Myra Henshawe gave up a fortune to marry for love--a boldly romantic gesture that became a legend in her family. But this worldly, sarcastic, and perhaps even wicked woman may have been made for something greater than...

• Format: Paperback
• Language: English
• ISBN: 0679731792
• ISBN13: 9780679731795
• Release Date: October 1990
• Publisher: Vintage
• Length: 112 Pages
• Weight: 0.31 lbs.
• Dimensions: 0.2" x 5.2" x 7.9"

Customer Reviews

Poor condition

Advertised as Very Good. Very dirty copy. Some writing in it (not a biggie) but rather gross to handle. ☹️ very disappointed.

An Enemy of Mortals

Natural questions a person might have when considering whether to read this book are: What kind of work of fiction is this? Does it fit into a major category of fiction? Who is the "mortal enemy" referred to in the title? I'll address those questions in this review. My Mortal Enemy is not a classic romance, tragedy, or melodrama. It is a narrative view, from a fallible, secondary character's perspective. Some people might be put off by the title, incorreclty inferring: "Why would I want to read a book about someone ruminating over their interactions with their mortal enemy?" I can understand that apprehension. But hopefully, if you can make it to the end of this review - you may understand both why the above inferrence is partly inaccurate, and where it is accurate - there are plenty of worthwhile and thoughful cognitive twists to make this introspective novel a thrilling read. "My Mortal Enemy" is a novel focused on the social observations of a young person, watching a close family friend's slow cognitive journey into almost invisible and hard to describe forms of mental dysfunction. I love this book. I read through it like a thrilling page-turner. I couldn't wait to get to the end, and was not disappointed when I got there. It is brilliant, sarcastic, and wise. It shows us, if we have the eyes to perceive, the seemingly benign steps a mind takes into horrific dysfunction. I love Cather's characterization of Oswald. Cather's rare portrayal of him as a smart and compassionate man, dealing with a spouse who does not see her own self-inflicted demises, is a rare act of literary kindness from one gender to the other. After reading her characterization of Oswald, Cather cannot be characterized as a man-hater. He is so lovingly drawn, in the regular presence of Myra's berating. It is hard for an author to write a character more interesting than the author. All of Cather's characters are interesting - so I would have loved to have met her. Reading this novel, I sometimes think of the conversations between Myra and Nellie (the narrator) as conversations between a younger generation and an older generation. But Myra does not represent "older and wiser." She represents "older." Many people don't get smarter as they get older or after they get married, and Myra is one of those people (and it appears Avril Lavigne is one also, at least for the moment, but that's a whole nother story). Myra is intelligent. But she is also not smart enough to see where she is misguided. And she is also so tunnel-visioned and bull-headed that she will not concede where she might be wrong. And if we're going to peg her with an Achilles' Heel - an inability and general unwillingness to change has to be near the top of the list of the reasons for most of her follies. In some ways, Cather's 'My Antonia' can be thought of a young person's recollection and observations of what happens to first loves. 'My Mortal Enemy' can be thought of as a young perso

A little book that packs a wallop

When I finished "My Mortal Enemy," I closed the book and said out loud to myself, "Wow!" For the past year I've been reading all of Cather's novels in order. "O Pioneers" and "My Antonia" are rightly praised, but don't miss "A Lost Lady" and this gem. ("Death Comes for the Archbishop" is next on my list.) To me, this book is a never-to-be solved mystery. What exactly went wrong between Myra and Oswald? Too passionate and dramatic a beginning?? Oswald's being stuck in work that didn't suit him? Not enough money? Pride? Materialism? Innate incompatibility? All of the above/none of the above/some combination of the above? There are clues, but no definite answers. And that's what makes the book so lifelike, so thought-provoking, and, ultimately, so moving. Can we ever know exactly why a relationship fails? Aren't the people in the relationship as clueless (or worse) as outsiders like Nellie Birdseye, the narrator of "My Mortal Enemy"? I don't understand exactly HOW Cather gives the reader so much in so few words. But that is part of her genius here. A great work of literature - and there aren't many books I say that about. Don't miss it.

Excellent choice

MY MORTAL ENEMY by Willa Cather (one of my favorite authors) is about a couple who get married despite the concerns of others. Things do not go as wonderfully as they hoped, but at the end of the day, not as awfully everyone expected. To say that this couple had a strange but profound way of loving each other is not giving away the story. Absorbing the nuances of such love can only be accomplished by reading the book yourself.

Spare and ambiguous, yet moving and memorable

This short novella (about 20,000 words, close in size to a few of Cather's longer short stories) is a concentrated study of the decline and fall of a marriage. Cather herself agreed with the assessment offered by one of her contemporary reviewers: "there is the steady rhythm of the fundamental hatred of the sexes one of the other and their irresistible attraction one of the other."The young and idealistic Nelly Birdseye describes the marriage of Myra Driscoll, her aunt's friend, to Oswald Henshawe. Their elopement incites Myra's uncle to disown her from a considerable inheritance, and the couple alternates between mutual bliss and impoverished misery. The fragility of their relationship is further imperiled by Myra's materialism and jealousy and Oswald's indolence and philandering. "My Mortal Enemy" is, perhaps, one of Cather's most misunderstood novels, and the author seems to have intended that the title's meaning remain ambiguous. Most readers will assume, quite reasonably, that the "mortal enemy" who inflames Myra's inevitable disillusionment is Myra herself, and the text certainly supports such a reading. Yet in correspondence to friends and other writers, Cather admitted that she "had a premonition . . . most people wouldn't [understand]" that Myra's "mortal enemy" was Oswald, since he could never satisfy the excessiveness of her devotion, both to him and to others. Although framed by the sparsest detail to be found in Cather's fiction, the story's forlorn perspective and memorable characterizations make this one of her most powerful works.

A Well of Bitterness

Too often, popular knowledge of important writers is limited to one or two books which may be neither representative of the author's work as a whole nor the author's best. This is true of Willa Cather. Her early books, such as My Antonia and O Pioneers are widely read and widely praised as is, to a lesser extent a work from her final years, Death Comes to the Archbishop. There is a range of writing from Cather's middle years which may show her at her best, without the sentimintality of the earlier writings. These middle period books are, alas, not well known.One of these books, My Mortal Enemy, is a short tightly-written tale which can be read in a single sitting or two. But its short length holds great complexity and pathos. The book is difficult to approach because it includes a largely unsympathetic heroine, Myra Henshawe.Ms. Henshawe left small-town Illinois behind her as a young woman to marry the man she thought she loved. In so doing, she turned her back on a large inheritance. She lives the high life in New York City as the wife of a businessman. She knows writers, artists, but is incorrigibly jealous and has a sharp tounge and a biting wit.The elderly couple find themselves in hard times and settle in San Francisco. Myra Henshawe, sharp tounged and critical as in her youth, says harsh, irrevokable things about her life and her marriage and modernistic art and culture. She returns for value to the ritualistic elements of the Catholicism of her youth, the religion of her uncle who disinherited her when she eloped.The story is told by a third party narrator, as is My Antonia, who functions in varied ways throughout the story.The story is about the well of bitterness, of lost sad lives, the limitations of romantic love and the tarnished heroine's view of religion as a possible source of redemption.