Motiba's Tattoos: A Granddaughter's Journey from America Into Her Indian Family's Past

by Mira Kamdar

Book Overview

In a lyrical memoir spiced with mouth-watering Indian recipes and old family photographs, Mira Kamdar takes us back to the ancient world into which her grandmother was born: a tiny village in... This description may be from another edition of this product.

• Format: Paperback
• Language: English
• ISBN: 0452282691
• ISBN13: 9780452282698
• Release Date: September 2001
• Publisher: Plume Books
• Length: 289 Pages
• Weight: 0.60 lbs.
• Dimensions: 1.7" x 4.7" x 7.5"

Customer Reviews

"Part beauty mark, part brand, a legacy of tribal values."

In this poignant and sometimes melancholy account of the passing of an era, Mira Kamdar tells the story of her beloved grandmother Motiba, a woman from the agrarian and pastoral culture of old Gujarat, showing how the changes in Motiba's life and family during the past seventy years are also emblematic of dramatic changes in Indian culture as a whole. Herself the daughter of Motiba's son Prabhakar (Pete) and Lois Christensen, the Danish-American cowgirl he married while a student in the United States in the 1960's, Kamdar is especially sensitive to nuances of culture, and she brings her Indian family to life within the context of the country's history--her grandparents' marriage, her grandfather's adoption of the values of Mahatma Gandhi, the emigration of the family to Burma to manage their businesses there in the 1930's, the bombing of Rangoon by the Japanese during World War II, the return to Bombay, and eventually, the emigration of several of Motiba's children to the United States. As she describes her own life, the author shifts her focus to that of the American immigrant experience. The tales of Indian history which infused her life as a child visiting in India eventually give way completely to tales of her life in the United States, as she moves with her parents and siblings throughout the west following her father's job changes. The significance of the death of Gandhi on her grandmother's life yields its place to the effects of the death of John F. Kennedy and Martin Luther King on her parents' and her own life. Her father's desire to have his family "fit in" becomes more important to him than teaching them the language and culture in which he grew up. Rich, warm, humorous, and earnest, Motiba's Tattoos recreates the universal story of an immigrant family's metamorphosis from one whose primary allegiance is to another culture to one in which opportunities to assimilate are recognized and embraced. In the process of becoming American, uniquely personal values may evolve and be treasured, while retention of the old traditions must become a conscious effort. What was an integral part of their family life, historically, evolves into pleasant memories and echoes of the old way of life as new generations appear--the final result of the Indian diaspora, which began in the mid-20th century and which continues, unabated, to the present day. Mary Whipple

An excellent book for young people in search of identity

Mira Kamdar's family biography is the heart-warming and lovingly told tale of multiple generations of the Kamdar-Khara families. Beginning in the early twentieth century, in the small Kathiawar village of Gokhlana, we follow the lives and loves of this extended Jain family to the close of the twentieth century. Along the way we are allowed to share in the Kamdar-Khara families `adventures' and `mishaps', as a story that begins in the simple Gujarati villages of Kathiawar takes us on an enchanting journey through Rangoon and Bombay, ending in the vast suburban metropolises of the United States of America. At the heart of the story lies Motiba, grandmother of the author, a simple lady steeped in the fine traditions of Kathiawari-Jain culture, and witness to all the dramas that have shaped the lives of her large extended family through the twentieth century. Mira Kamdar beautifully brings to life Motiba's world as a young Jain girl growing up in the deeply traditional Jain villages of Kathiawar. Through Mira's retelling of the anecdotes of older family members, especially Motiba, we learn about the lives of Jain women in the early part of the century: How they lived, their position in society, the role of religion in the Jain village and the impact of the British and Mahatma Gandhi upon this pre-modern world. As the century moves on, the action switches to the British imperial possession of Burma and the cities of Akyub and Rangoon where many members of the Kamdar-Khara families, like other Indians, travelled in search of business opportunities and the hope for a more prosperous existence. Perhaps because the story of the Indian Diasporas in Burma is not as well known and documented as other Indian Diasporas experiences, the story of the Jain community in Burma is one of the most fascinating parts of the entire narrative. Here we discover how young Jain settlers in Burma built businesses and created new lives for themselves and their families and then saw it all swept away after the Japanese invasion during the Second World War and the consequent ethnic conflicts that gripped post-independence Burma. The poignancy of this section of the story is only heightened by Mira's interviews with the remnants of the once strong Indian community in Rangoon. But wherever Mira Kamdar's story takes us, and it proceeds to take us to Bombay, Oregon and Los Angeles, a number of overarching themes dominate the book. Firstly, how the descendants of turn-of-the-century Kathiawari-Jain families attempted to preserve and adapt their Jain identity in a modern and, more importantly, non-Jain world. We are witness to the struggles of Motiba's eldest son, Prabhakar or `Pete' as he is known in America, as he attempts to cope with life after emigrating to America and how both he and his family cope with his marriage to a white American girl from Oregon and the status of Prabhakar's children's as perceived half-castes. Secondly, we see how the impersonal forces of history int

Fiction And Nonfiction Readers Should Buy This Book

This journey quite literally around the world is as much a love letter from the writer to her children as it is a telling of a universal story of family evolution. What a treasure that Kamdar chose to trace her family's path as a way to explore the past century's economic, military and sociological history. If you choose to read this as a scholarly writing, you will gain great insight from Kamdar's subject. If instead you choose to read it as an epic cross-cultural tale, you won't be disappointed.Or you could buy it just for the recipies.

America is peopled by the world.

America's greatest strength is it's people, and it's people have come from all over the world. They have met, married, and had children.Motiba's Tatoo is the story of one family that came into being just that way. It is not just for the multi-cultural reader but should be read by everyone. This story provides insight as to why, today, we see all kinds of interesting names and faces in our great country and why we enjoy all kinds of foods, today readily available. It provides food for thought as to how the world is shrinking and why we should get to know and learn to understand each other.Motiba's journey through life that took her from village India to the jet age, from her conservative Gujerati Jain roots to being the grandmother of "American" children and great grandmother of BLONDS is a story in itself.

the beauty of a multi-cultural family

Anyone who has grown up with parents of two different nationalities -- which includes a great number of people in our country -- will appreciate this story. MOTIBA'S TATTOOS beautifully and lyrically tells of one family's journey to America and illustrates the challenges and blessings that are faced in multi-cultural families. The most beautiful part of this book is when Motiba writes of her parents philosophy of their marriage: that their union and the children that they produce are their contribution to world peace and understanding. This book is for everyone--Indian or not--who has relatives who left their home to start anew and faced the challenges of being "American," remembering their roots, and instilling in their children the same appreciation for their own history.