Based upon advice from a huge roster of artists, dealers and curators; and encompassing every stage of an artist's life--from early works, to debut shows and mid and late-career--this book answers all the key questions that every artist has at some point asked themselves. Do you need a studio or a dealer, and how do you find one? Are artists too competitive? How do they come up with ideas, and what is the point of the private view? Does financial success--or the lack of it--change an artist?
Este libro, al abarcar todas las fases de la vida de los artistas -desde las primeras obras hasta las exposiciones de debut y las etapas intermedias y tard as de sus carreras-, les permite responder, o reflexionar, sobre todas estas importantes preguntas. Hace falta tener un estudio o contar con un marchante? Y, de ser as , c mo conseguirlos? Los artistas son demasiado competitivos? C mo se les ocurren las ideas y qu sentido tienen los pases privados? El xito econ mico -o su ausencia- cambia a los artistas? Tiene alguna ventaja envejecer? Deben leerse las rese as? Se pueden retirar los artistas?
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