Miles Davis: A Biography

by Ian Carr

Book Overview

This exhaustively researched, revised edition of Ian Carr's classic biography throws new light on Davis' life and career: from the early days in New York with Charlie Parker; to the Birth of Cool;... This description may be from another edition of this product.

• Format: Hardcover
• Language: English
• ISBN: 068801321X
• ISBN13: 9780688013219
• Release Date: January 1982
• Publisher: William Morrow & Company
• Length: 310 Pages
• Weight: 1.56 lbs.

Customer Reviews

Have read better Miles books

This was the 4th biography about Miles Davis I had read. I guess once you read 2 or 3 biographies about a person you don't learn much new information. Although well written I don't think this is the best account of Miles Davis life a fan could read. I recommend Miles Davis Autobiography or Milestones before reading this one.

A Review for the Serious Miles Fan

First, you need to know that this is an update of Carr's 1982 biography of Miles Davis. To begin with, there is some definite updating of the early chapters. In particular, recorded material that wasn't available in 1982 is discussed, such as the Plugged Nickel performances, and recent Columbia/Legacy releases such as Carnegie Hall 1961 are specifically mentioned. There are also surprising little nuggets of new information sprinkled throughout the first half. However, these chapters would have benefited from more careful or consistent editing. Statements of fact in 1982 that were later made inaccurate have not been revised. For example, Carr remarks that Miles' days as a sideman were over after LEGRAND JAZZ, a statement belied by the his later sessions with Toto, Chaka Khan, Cameo, Scritti Politti, Shirley Horn, Paolo Rustichelli, et al. Also, Carr marks FILLES DE KILIMANJARO as the last album with Gil Evans, although I suppose STAR PEOPLE is arguable as a matter of degree.Another aspect that consistent editing would have fixed is that statements are presented as more or less current opinions, when the speakers have passed away since the first edition. Even when referring to historical events, Red Rodney, Philly Joe Jones, and others are quoted as contemporary figures. True in 1982, but not today. This is a little disconcerting.In these respects, reading this edition is almost like reading two books, which I suppose it is in a way. But the transition from the old material to the new is seamless, and it always seemed to me that the ending of the first edition was rather rushed, anyway. Initially it seemed to me that the coverage devoted to the post-retirement years (not quite half the book) was more than a little out of balance. However, the space allotted to these years is largely due to the amount of interview material from this period. Many of the interviews were conducted by Carr himself, and the interviewees include Miles (not extensive), many of his sidemen, and other acquaintances. My favorite piece of this new material is a story related by Lydia DeJohnette about Miles coming upon her and Jack arguing in a parking lot in 1981.Upon first reading the new material, I found Carr to be unfailingly complimentary of Miles' post-retirement playing. After reflection, though, while it's still my impression that he is a big fan of 1980's Miles, I have decided that Carr is in fact quite objective. I did find his critiques of actual performances to be more balanced than his generalizations. He recognizes, for example, the sheer tedium (my words, not Carr's) of some of the live dates, as he does with a 20 July 1985 Royal Festival Hall performance. That said, however, when he quotes from his notes and reviews made onsite at live performances, they are often more favorable than his assessment of recorded material. It's interesting to contrast his review of the 1965 Plugged Nickel performances with a

Balanced, sympathetic, but incomplete

This seems to be a balanced and sympathetic account of Miles' artistic life. The focus is largely on the music, sometimes to the detriment of the narrative and a fuller understanding of Miles' personal life. For example, in the next to the last chapter there is the first and only reference to Miles' bisexuality. In addition, there is very little follow-up on the lives of his parents, siblings, wives and children. Carr also assumes you have a basic grasp of the history of jazz and popular music of the 20th century, not bothering to explain background such as the recording bans of the 40's. But if you want to sink your teeth into what made Miles a great artist and innovator, then this book should satisfy your hunger.

Breathtaking

I have yet to read a book on Miles Davis that I didn't like.this Book is Incredible very fully Writing.it deals with his Music his Life and Surroundings as A Man.the Great thing about this Book is that it sticks to the music and that's the most Important Aspect when Talking About A Genius As Important As Miles Davis.