Messiah of the New Technique: John Howard Lawson, Communism, and American Theatre, 1923-1937 is a critical and political biography and a cultural and social history that focuses on Lawson's career in the theatre. Using a materialist methodology, Jonathan L. Chambers emphasizes the evolution and interplay of the playwright's artistic vision and political ideology, considering his art as both a documentation of this evolution and a product...
Related Subjects
Drama