By examining the unique problems that "blackness" signifies in Moby-Dick, Pierre, "Benito Cereno, and The Encantadas, Christopher Freeburg analyzes how Herman Melville grapples with the social realities of racial difference in nineteenth-century America. Where Melville's critics typically read blackness as either a metaphor for the haunting power of slavery or an allegory of moral evil, Freeburg asserts that blackness functions as the site where Melville...