Measure for Measure

by William Shakespeare, Royal Shakespeare Company, William James Rolfe

Book Overview

Measure for Measure is among the most passionately discussed of Shakespeare's plays. In it, a duke temporarily removes himself from governing his city-state, deputizing a member of his administration, Angelo, to enforce the laws more rigorously. Angelo chooses as his first victim Claudio, condemning him to death because he impregnated Juliet before their marriage. Claudio's sister Isabella, who is entering a convent, pleads for her brother's life...

• Format: Mass Market Paperback
• Language: English
• ISBN: 0743484908
• ISBN13: 9780743484909
• Release Date: July 2005
• Publisher: Simon & Schuster
• Length: 336 Pages
• Weight: 0.40 lbs.
• Dimensions: 0.9" x 4.3" x 6.8"
• Age Range: 14 to 17 years
• Grade Range: Grades 9 to 12

Customer Reviews

A Measure Better

There are references to multiple sources from the Renaissance period regarding the Puritan view of marriage and chastity. Shakespeare was influenced by the Elizabethan mores of the day, but he himself had probably been more like Claudio who had sex before marriage. The background sources are a measure better than the play itself, and makes for a more enlightened understanding of Shakespeare.

A masterwork full of ideas and indelible characters

While not one of Shakespeare's transcendent achievements, "Measure for Measure" is very much a masterwork. While easy to read and to follow, it actually has a vast number of moral complexities that challenge us to think about our own humanity, our sense of justice and charity, and the ways in which even the best among us are so easily compromised. The title, of course, comes from the Sermon on the Mount. Matthew 7:2 says: For with what judgment ye judge, ye shall be judged: and with what measure ye mete, it shall be measured to you again. While the surface reading of this verse seems to be talking about judging righteousness or evil (and it is that), it goes much deeper. It is also choosing one thing over another and the necessity of harvesting what those choices unavoidably bring. This play is inhabited by many strange characters that exhibit all sorts of self-contained contradictions. The Duke of a very decadent Vienna who decrees that extra-marital relations will be punished by death, who is uncomfortable with public adulation, who spends most of the play disguised as a Friar. He is not called the Duke of Dark Corners for nothing. Poor Claudio is arrested and sentenced to die because is beloved Juliet is about to give birth to their child. This while the bawd Pompey is arrested and let off without even being whipped. Angelo, who is certainly no angel, is put in temporary power by the Duke during his time away from court. It is Angelo who has Claudio arrested and sentenced. Isabelle, Claudio's sister, is about to take her vows as a nun, but comes to plead for her brother. Angelo says he will spare Claudio if she will let Angelo take her chastity. She refuses, but consents to the Friar's plan to ensnare Angelo. This is says nothing about Lucio and his being on all sides of every situation in the play. While I admire all the Arden editions, this play has a particularly fine opening essay especially when it comes to the character and qualities discussed in the play. The editor provides us insight to how our modern sensibilities will mislead us and keep us from seeing the Elizabethan issues being worked out during the play. The Appendices offer multiple versions of the source material for this play. Some of which it is suspected that Shakespeare used or was used by those who created the materials that Shakespeare used. It is a fascinating subject, especially when one notes the differences between the sources and the shape Shakespeare finally gave the plot. It is indeed a very different play. I think the editor, J.W. Lever, makes a great point that this should be considered a drama of ideas rather than being included in that cloudy category of "Problem Plays" that so many scholars use as a catch all for those plays that aren't completely comedies and are certainly not tragedies like Hamlet, Othello, Macbeth, or Lear. Strongly Recommended

Disturbing but Engrossing

I picked up Measure for Measure knowing nothing about the play other than it was not an early work and that it was a comedy. I knew Shakespeare as an enjoyable Wit and was looking forward to a virtuoso display of the English Language. I certainly got this, but this is by no means a "light" play. In fact, the more I looked into it, the more disturbing it became.The plot is quite involved with many twists and turns, based on many unlikely situations. Read it like any other comedy and you will be fine.The characters are what's disturbing. There are no clear "white hats" in this story. Claudio sets his sister up which causes much of the story. The Duke handles people like puppets. Angelo is certainly not worthy of trust and there are some hints that the Duke even knows this when he leaves him in charge. Isabella? Well, there are two strong attributes to her personallity - Future Nun and also as Harold Bloom described her, the sexiest female character in Shakespeare.There are many "lowlife" characters as well. Most important and probably most interesting would be Lucio who moves the plot around. Also quite interesting and infuriating would be Pompey.I read it in the New Cambridge Edition. Brian Gibbons gives an interesting introduction which goes over the original context for the play, a discussion of its sources, as well as a production history. His notes to the text are also quite good. My eyes glazed over a bit on the textual analysis...not interesting to me at this point.If you want "uplifting" or "inspirational", pick something else. If you are willing to let these interesting, ambigious characters into your mind, you will have a fine time as one of the finest artists of the English Language leads you around their stories.

Base Look at Love, Honor, Morality, Reputation, and the Law!

Measure for Measure is seldom read, and not often performed in the United States. Why? Although many of Shakespeare's plays deal bluntly with sexual issues, Measure for Measure does so in an unusually ugly and disgusting way for Shakespeare. This play is probably best suited for adults, as a result. I see Measure for Measure as closest to The Merchant of Venice in its themes. Of the two plays, I prefer Measure for Measure for its unremitting look at the arbitrariness of laws, public hypocrisy and private venality, support for virtue, and encouragement of tempering public justice with common sense and mercy. The play opens with Duke Vincentio turning over his authority to his deputy, Angelo. But while the duke says he is leaving for Poland, he in fact remains in Vienna posing as a friar. Angelo begins meting out justice according to the letter of the law. His first act is to condemn Claudio to death for impregnating Juliet. The two are willing to marry, but Angelo is not interested in finding a solution. In despair, Claudio gets word to his sister, the beautiful Isabella, that he is to be executed and prays that she will beg for mercy. Despite knowing that Isabella is a virgin novice who is about to take her vows, Angelo cruelly offers to release Claudio of Isabella will make herself sexually available to Angelo. The Duke works his influence behind the scenes to help create justice. Although this play is a "comedy" in Shakespearean terms, the tension throughout is much more like a tragedy. In fact, there are powerful scenes where Shakespeare draws on foolish servants of the law to make his points clear. These serve a similar role of lessening the darkness to that of the gravediggers in Hamlet. One of the things I like best about Measure for Measure is that the resolution is kept hidden better than in most of the comedies. As a result, the heavy and rising tension is only relieved right at the end. The relief you will feel at the end of act five will be very great, if you are like me.After you read this play, I suggest that you compare Isabella and Portia. Why did Shakespeare choose two such strong women to be placed at the center of establishing justice? Could it have anything to do with wanting to establish the rightness of the heart? If you think so, reflect that both Isabella and Portia are tough in demanding that what is right be done. After you finish thinking about those two characters, you may also enjoy comparing King Lear and Claudio. What was their fault? What was their salvation? Why? What point is Shakespeare making? Finally, think about Angelo. Is he the norm or the exception in society? What makes someone act like Angelo does here? What is a person naturally going to do in his situation?Look for fairness in all that you say and do!

A dark parable that teaches ethics in a disturbing way

Shakespeare's way of handling all the relationships has always been his forte: King Lear is about a father and daughter, Hamlet is about father and son; Macbeth explores the husband wife relationship to the last intense snapping; and Othello comes at marriage from the other side of jealousy. Having said that, Measure for Measure is an exploration of that rarest of loves: between a brother and a sister. How deftly he shows the strains of a moral dilemma, without which the relationship couldnot have been examined--- makes it a modern marvel of dramaturgy and straight ethics