Readers, regardless of their level of experience, will, if they "remove any condoms from their mind", find themselves opening up to the characters in these stories, and much is to be learned from each of them. Indeed, there are ample lessons in geometry in each one of these stories: there are triangles interacting with cylinders, triangles interacting with triangles, and peas decorating triangles. The cylinders are sometimes real and at other times artificial. Sometimes they find permanent attachment and at other times portable. Some cylinders are wooden, brought into being with the skilled hands of a feminine, lustful artisan, who is tutored brilliantly by an elusive and timid furniture maker. These cylinders do not go to waste though, for their maker indulges in them with a vengeance. This goes for the other cylinders (and triangles): they all find fulfillment in the stories, as will the cylinders or triangles of the reader. The peas too share with the cylinders the ability to reach out into space and make themselves more visible. The peas are of course readily attended to, as will be the peas of some readers. And luckily, at least one of the characters enters through the back door, as they should. Zippers will come down, bras will become unhooked, and shoes will drop to the floor. The sounds of these will accompany the reading; that is assured. For some readers, caution though must be exercised (as something else inevitably will be) if this book is read vertically and on a tiled floor: such readers may slip and fall.
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