The Persecution and Assassination of Jean-Paul Marat As Performed by the Inmates of the Asylum of Charenton Under the Direction of The Marquis de Sade (or Marat Sade)

by Peter Weiss

Book Overview

Total theatre is the expression critics have used to describe this unique theatrical event which is designed for production on a nearly bare stage by a large and flexible cast. The Marquis de Sade,... This description may be from another edition of this product.

• Format: Paperback
• Language: English
• ISBN: 1577662318
• ISBN13: 9781577662310
• Release Date: November 2001
• Publisher: Waveland Pr Inc
• Length: 128 Pages
• Weight: 0.37 lbs.
• Dimensions: 7.8" x 0.3" x 5.5"

Customer Reviews

buy this

This is one of the greatest plays of the 20th Century. Read it. If you can find a DVD of the Royal Shakespeare Company production of it with Glenda Jackson as Charlotte Corday, but it. If you are a composer, make an opera out of it. It is a wonderful, terrible, terrifying piece of theater, and when Corday remarks regarding the guillotine, "They say, when the head is cut from the body...", it is one of the most frightening, wonderful stage moments in history, up there with Williams, with Brecht. Hell, with Marlowe and Shakespeare.

Provocative and Mind Stimulating Material

Maybe you have seen the film "Quills" and it has sparked an interest in you about the Marquis de Sade. Or maybe you are a history buff and are interested in the time of the French revolution, or perhaps you just love a really good thought-provoking play. If any of those things holds your interest you are in for a really marvelous read in "Marat/Sade" aka "The Persecution and Assassination of Jean Paul Marat as performed by the Inmates of the Asylum of Charenton Under The Direction of Marquis de Sade"(by Peter Weiss). Various editions may be found under either title. The edition I am reviewing is the English version(original is German)translated by Geoffrey Skelton. So Marat/Sade is a play within a play with definite messages concerning "Revolution" and the effects on both the masses and the leaders. The time setting is a fictional one(it places de Sade at the scene), but uses the basis of historical events and characters to tell the story. The play inside this play is written and produced by Sade and performed by the inmates of Charenton where he spent so many years imprisoned for his writing, considered socially unacceptable and outrageous. The year it is being performed is 1808 but the events surrounding the story are happening on July 13, 1793, the day Charlotte Corday stabbed Jean-Paul Marat. It is the day of the assassination. Marat, Sade, Corday,and political activists of the time argue back and forth about the reasoning and atrocities surrounding the Revolution and the state of Terror. The points going back and forth(sometimes in marvelous song) has the inmates(the rest of the cast), being easily swayed and worked up into a state of frenzy, all the while building to the stabbing. What is morally right and wrong? Heads are rolling - literally - who are the sane ones here - are the inmates running the asylum - so to speak? Even Columier(progressive director of the institution and supporter of freedom in arts)has trouble with the play when he feels it goes to far against the establishment. This book, first published in 1965 grasps not only the horrific events of the 18th century, it is also certainly a statement on the international events of the 1960's. It will still provoke thought and may translate to some of the atrocities going on in the world today. Author Peter Weiss, seems to have really gotten into the heads of Sade, Marat and the others giving intellectual and provocative dialogue to the players. The scenes are well set for the stage, and excellent descriptions are given for each character making it very easy to visualize the entire play. I don't speak German(the 2 semesters I took in college nearly 40 years ago is long forgotten), but I have to say I don't feel like anything was lost in the translation of this play. I would highly recommend this play to anyone who enjoys historical fiction, politics, infamous characters, and even if you are part of an acting group looking for an interesting and provocative play, you shoul

Provocative and Mind Stimulating Material

Maybe you have seen the film Quills and it has sparked an interest in you about the Marquis de Sade. Or maybe you are a history buff and are interested in the time of the French revolution, or perhaps you just love a really good thought-provoking play. If any of those things holds your interest you are in for a really marvelous read. 'The Persecution and Assassination of Jean Paul Marat as performed by the Inmates of the Asylum of Charenton Under The Direction of Marquis de Sade"(by Peter Weiss) is the full title of this book, but is AKA "Marat/Sade" and various editions may be found under either title. The edition I am reviewing is the English version(original is German) by Geoffrey Skelton. So Marat/Sade is a play within a play with definite messages concerning "Revolution" and the effects on both the masses and the leaders. The setting is a fictional one, but uses the basis of historical events and characters to tell the story. The play inside this play is written and produced by Sade and performed by the inmates of Charenton where he spent so many years imprisoned for his writing, considered socially unacceptable and outrageous. The year it is being performed is 1808 but the events surrounding the story are happening on July 13, 1793, the day Charlotte Corday stabbed Jean-Paul Marat. It is the day of the assassination. Marat, Sade, Corday,and political activists of the time argue back and forth about the reasoning and atrocities surrounding the Revolution and the state of Terror. The points going back and forth(sometimes in song) has the inmates(the rest of the cast), being easily swayed and worked up into a state of frenzy, all the while building to the stabbing. What is morally right and wrong? Heads are rolling - literally - who are the sane ones here - are the inmates running the asylum - so to speak?Even Columier(progressive director of the institution and supporter of freedom in arts)has trouble with the play when he feels it goes to far against the establishment. This book, first published in 1965 grasps not only the horrific events of the 18th century, it is also certainly a statement on the international events of the 1960's. It will still provoke thought and may translate to some of the atrocities going on in the world today. Author Peter Weiss, seems to have really gotten into the heads of Sade, Marat and the others giving intellectual and provocative dialogue to the players. The scenes are well set for the stage, and excellent descriptions are given for each character making it very easy to visualize the entire play. The books includes character descriptions - even down to subtle items in the wardrobe that would distinguish their roles, author's note on the historical background of the play,the music and words to the songs, and a brief bio of Weiss. I don't speak German(the 2 semesters I took in college nearly 40 years ago is long forgotten), but I have to say I don't feel like anything was lost in the translation of this pla

Powerful

I first heard of this play around 30 years ago when it was performed by the upper classes of my school in England. I never forgot it and decided recently to purchase the play and to read it. The story takes place in an insane asylum in France around the time of the French Revolution, where The Marquis de Sade was kept for a number of years. He wrote a play about the revolutionary - Jean-Paul Marat, which was performed by the inmates of the asylum. However, the play is much more than that. It really is a commentary about about how people behave toward one another during terrible periods of time. I think it is a remarkable play - sometimes a little horrifying - but very well worth while picking up to read. I whole heartedly recommend it.

I actually saw the play.

Well, I haven't read the book. I just saw the play tonight and I think it is one of the best plays I ever saw. Although the actors were teriffic I am sure that could not save the worst play from ick! I give the play, which is this book, five stars and so much more!!!