The Chicago Manual of Style: The Essential Guide for Writers, Editors, and Publishers

by University of Chicago Press

Book Overview

The Fifteenth Edition is available in book form and as a subscription Website. The same content from The Chicago Manual of Style is in both versions.

In the 1890s, a proofreader at the University of Chicago Press prepared a single sheet of typographic fundamentals intended as a guide for the University community. That sheet grew into a pamphlet, and the pamphlet grew into a book--the first edition of the Manual of Style,...

• Format: Hardcover
• Language: English
• ISBN: 0226104036
• ISBN13: 9780226104034
• Release Date: August 2003
• Publisher: University of Chicago Press
• Length: 984 Pages
• Weight: 3.17 lbs.
• Dimensions: 2.1" x 6.0" x 9.0"

Customer Reviews

Maintains language skills

This is your one stop shop for all those grammar questions and hazy memories of English class. Whenever I am not sure about how to format or phrase something, this book has the answer.

Copyright

Wish I'd thought to check the copyright date

The Chicago Manual of Style

This is the classically well known "Chicago Manual of Style". The image for this item however is for a different book, so ignore the picture above.

Simply the best; An absolute must for writers

I've been passionate about writing for some time now and situations always seem to arise-where to put the hyphen-that must be dealt with properly. The new edition (15th) of THE CHICAGO MANUAL OF STYLE is the Bible for writers (I can't speak for editors or publishers but since this prize solves most writing conundrums, it must work well for those reviewing the written word). As I've used the 14th edition for some time, I was somewhat dubious about giving up my well-oiled saftey blanket. Keep the safety blanket and buy the 15th also. The 15th implements a variety of changes befitting current wisdom; a must in today's literary world. As has been the modus operandi for some time now, the 15th edition of CMS is still in the relatively unattractive orange dust jacket but has been "brightened" inside with two ink tones. Contrary to another reviewer, I find the ink offset to be quite helpful. One of the more useful additions to the 15th CMS is the paramenters addressed relative to citations from electronic publications. In the internet age, this is a must for technical and non-fiction writers. Additionally and as mandated by most interpretations of copyright law, whenever one draws from another's work, one must provide documentation. CMS follows a basic documentation style for either footnotes or endnotes. This documentation would include direct quotes, paraphrases or someone else's words or ideas, and facts and figures. As a writer of technical articles, I use this manual as a guide through the morass of style. An article can be poorly written but sparkle with style and grammar. This article will, at the very least, garner some respect. A kick-bum article delving into the meat of a timely subject, yet penned with poor grammar and distasteful style, will be look upon with disdain. If you're going to write, spend the bucks for CMS. It will be the best investment relative to broad acceptance of your published words.

Still a classic

The Chicago Manual of Style has always been a steady companion. It discusses every imaginable style question to the point of exhaustion and speaks with the authority of the nation's largest academic press and the country's most academically serious university. The University of Chicago Press is not burdened by the scholarly dubiousness that plagues the MLA, which happens to publish a competing style guide.This edition of the Manual of Style includes a number of improvements and additions. The Chicago manual has finally spoken on citing electronic publications, and even includes advice on assembling manuscripts for electronic journals. Flow charts in the back give broad overviews of the publishing process. The index seems easier to use than the index in the last edition, and the chapters are arranged more thoughtfully. Most striking upon first picking up the 15th edition is its stunning graphic design--not only is it beautiful, but it helps readability by highlighting examples and making sections easier to find. The manual includes some information on editing foreign-language publications. As always, the manual includes some very subtle humor in its sentence structure, verbiage, and choice of examples.The Chicago Manual of Style is also equiped to be an arbiter of many a college dining hall argument on language, with extensive chapters on grammar and usage.I heartily recommend the Chicago Manual of Style to anyone who ever finds himself with a question on some detail of English style.

The must-have book for professionals and college students

THE CHICAGO MANUAL OF STYLE is one of those books that no professional - writer, publisher, scientist, lawyer, teacher - should be without. At nearly 900 pages, it covers almost any writing issue you can imagine, from the huge range of different requirements for citations to pluralizing foreign words to dealing with mathematics in type. Of course, the more common problems of spelling, grammar, and punctuation are discussed exhaustively as well. Divided into three parts (Bookmaking, Style, and Production and Printing), the target readership is without doubt those in the book trade; however, the style section is by far the largest and most useful for the average person.My only problem with this volume is accessibility. It's not always easy to find the section dealing with a particular problem. For example, you may have to wade through several pages before you can determine which version of a citation is correct for your situation. Despite this difficulty, I cannot deduct a star from my rating since no other book compares in scope and accuracy when it comes to the mechanics of writing.I highly recommend this book for anyone who writes articles, technical papers, or books as part of his or her profession. College students should consider buying it as a reference tool that will never steer them wrong.

The Centerpiece to any Great Reference Collection

If I somehow found myself in a scenario where I was coerced to operate a grammar hotline but restricted to having a single reference at my disposal, then the Chicago Manual of Style would be my weapon of choice. This venerable, thorough guide to editing and writing may be getting a bit dated, yet it remains an indispensable reference for serious editors and writers in nearly all disciplines. Two main attributes---its organization and its completeness---make this reference so valuable. For example, chapter 5, a treatise on the pleasure and pain of punctuation, starts with the various forms of terminal punctuation before moving into a substantial discussion on the comma (there are more than 20 subpoints discussed on the uses of the comma) and concluding with a roundup of the remaining commonly used marks of punctuation. It's easy to find out the distinction between, say an en-dash and an em-dash, or get a definitive answer about why we need to include serial commas (despite the outdated advice offered by the badly out-of-step AP Style Manual).The advice about names and terms found in chapter 7 seems daunting at first, but the presentation is, again, so well-organized and complete, that, after some study, you will start catching all the errors that make their way into too much printed material these days. The advice here about when to capitalize words such as "federal," "government," or "state" trumps the misleading, confusing dictums of other outmoded texts such as the United States Government Printing Office Style Manual.One more example of why the Chicago Manual of Style is a beacon of calm authority can be found in the common sense approach to the difficult issue of being consistent in the use of numbers. Nothing drives me crazier than fighting with a manager, copy editor, or researcher about the use of numbers. Here the emphasis is on laying on the general principles not as absolute rules but as guidelines followed by a generous overview about the myriad exception and variations to these principles. Numerous examples cover virtually all the situations one might encounter. Any new copy editor worth his or her salt will have highlighted practically the whole second chapter on copyediting; veterans will return here frequently, too. Both will likely have, at some point, thumb tacked or taped a photocopy of Figure 3.1 Proofreaders' Marks within easy viewing distance. Detailed discussions about references and bibliographies, indexing, marking manuscripts, and copyright law (though this is one place where the book is beginning to show its age, for the impact of the Internet on copyright matters was not foreseen when this book was published) round out this reference. Sections on foreign languages, scientific terms, and mathematics in type illustrate further why this book anchors the writer-editor's reference collection. I eagerly wait for the 15th edition to be published.