Maggie: A Girl of the Streets: And Other Tales of New York

by Stephen Crane

Book Overview

"A powerful, severe, and harshly comic portrayal of Irish immigrant life in lower New York exactly a century ago." --Alfred Kazin

Maggie, a powerful exploration of the destructive forces that underlie urban society and human nature, produced a scandal when it was first published in 1893. This volume includes "George's Mother" and eleven other tales and sketches of New York written between 1892 and 1896.

For more than seventy...

• Format: Paperback
• Language: English
• ISBN: 0140437975
• ISBN13: 9780140437973
• Release Date: August 2000
• Publisher: Penguin Classics
• Length: 272 Pages
• Weight: 0.45 lbs.
• Dimensions: 0.5" x 5.1" x 7.8"
• Age Range: 18 years and up
• Grade Range: Postsecondary and higher

Customer Reviews

A Blossom in a Mud Puddle

I reread Stephen Crane's "Maggie: A Girl of the Streets" yesterday. It was the first time that I had revisited the book in almost thirty years. Originally, I read Crane's writings in a seminar course which compared his pioneering works to those of Ernest Hemingway. There were common themes in the works of both authors and they both employed a naturalistic style. Crane was more poetic, however, while Hemingway was more workmanlike in his choice of words and phrases. This tragic story takes place in the slums and the garment district. Maggie is the daughter of two alcoholic Irish immigrants. Her youngest brother dies during early childhood. Her older brother spends his youth fighting rivals in the streets and enduring beatings at the hands of his intoxicated parents at home. In adulthood, Jimmie becomes a teamster and introduces his sister to his friend Pete, a well dressed local bartender. Pete is taken with Maggie's shape and begins courting her. Eventually, Maggie quits her five dollars a week job at the cuff and collar factory and leaves home with Pete. This ill considered decision is the beginning of her ruin. Pete cares nothing for Maggie. She is a only a passing fancy. Environment determines everything in this sad tale. Alcoholic rages and casual acts of random violence occur on almost every page. Crane employs dialect to reflect the speech patterns of his characters. When Pete abandons Maggie for Nellie, a stylish prostitute, the saddest line of dialogue is Maggie's question: "Where kin I go?" Disowned by her widowed mother, who is herself a frequent defendant in the police courts on account of her drunken behavior, and brother, whose own relations with women are not much better than those of Pete, for having gone to the devil, Maggie begins walking the pavements alone and becomes one of the scarlet legions. Initially, Crane had to self publish this book since it was considered to coarse and profane to print. It proved to be unprofitable and he gave many copies of the limited first printing away. Unlike "The Red Badge of Courage," there is no place for heroism and redemption in the Bowery streets inhabited by Maggie, Jimmie and Pete. This sad account of an unfortunate woman driven into a life of prostitution is far removed from the nightly celebrations at the opulent Everleigh Club. It is humbling to think that Crane was capable of creating such a novella while he was scarcely over the age of twenty and that all of his poetry and prose was completed before his death at the age of twenty-eight.

A bleak uncompromising novel of New York's "lower depths".

This is a great book,I love this book,though it is almost unbearably sad.The novel's uncompromising realism in its portrayl of stunted,wasted and degraded lives in the New York tenements of the 1890's,horrified many of Stephen Crane's contemporaries,and he initially had to pay to have it privately published(it was his first novel).Only when he became famous as the author of "The Red Badge of Courage",was there a proper edition.Crane railed at "sentimentality",which he saw as an artistic curse.There is no sentimentality in this book,and Crane proved that a good writer could still move the reader to tears without purple prose.

Well written book about 1890's slum life

This book was well written. The naturalistic setting and expressive use of slang transport you back to the nasty means streets of New York at the turn of the century. Some of their values seem kind of quaint and rustic as compared to 100 years later, however the realism is staggering. One can feel the despair of a terrible life that never gets better. Death and disease are the only fates that await and there is no release. This is not just a book to be read as an assignment, read it for the realistic view of history as a slice of life to understand what New Yorker's were going through then, and as a parable to ghetto life today. Some things have changed but some still stay the same......plus ca change.......

A startling first work by the 21-year-old Crane

Crane's first book is always a pleasure to reread for the new discoveries I have always made; it might be a sentence I had not seen before, a humorous line, or simply, the wonder that an semi-educated writer--really just a boy--could write this short novel, one that was so instinctive in its forebodings of genius (Anyone wishing to chat about this book or Crane's "Red Badge"--I have a review there--or simply literature, please send e-mail: it will be pleasurably read and commented on).

An Easy Read with Power and Dark Humor

If I were pressed to use one word to describe this book itwould be dark. However, Crane's novel is a moving piece with momentsof transcendence and rampant dark humor. Basically, it is the story of Maggie, an undeveloped character who takes the back-seat to her loud and abusive parents, her swaggering, self-confident brother Jimmie and his friend, the boastful Pete. The novel chronicles the injustices that surround Maggie, who is quiet and doesn't fight back. A chilling look at poor, urban life in the late 1800's, it is also a tale critical of society's judgmentality and questioning of morality. A more complex novel than it seems on first look, it is wonderful to take apart and examine the relationship between Maggie and Pete, Maggie and her mother, and Maggie and Jimmie. Most importantly, however, are the quiet moments of transcendence in this novel.