During the early 1990s, Lucinda Devlin systematically took photographs of gas chambers, injection rooms, electric chairs, and death row cells in the rural United States. She entitled the resulting series The Omega Suites , alluding to the final letter of the Greek alphabet as a metaphor for the finality of execution. More than just a critique of the death penalty, Devlin's austere, haunting images extend that critique to an American society in which...