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Paperback Lucifer's Garden of Verses: Volume One - The Devil on Fever Street Book

ISBN: 1561634123

ISBN13: 9781561634125

Lucifer's Garden of Verses: Volume One - The Devil on Fever Street

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Format: Paperback

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Book Overview

Satan awakens after a hundred-year sleep, depressed and disillusioned. It is a mere seven days before he's expected to bring Armageddon to Earth and he is wracked with spiritual doubt and severe performance anxiety. He decides that an old-fashioned temptation' will be just the thing to return him to form. His chosen temptee: Black Lily, the purest, most virtuous woman on Earth. Alas, he may have met his match - or more...'

Customer Reviews

1 rating

What if...Satan sought redemption?

On first glance -- several glances, in fact -- The Devil on Fever Street never grabbed me enough to make it home, as Lance Tooks' visual style didn't work for me, but having read the likes of Ho Che Anderson's King and J.P. Stassen's Deogratias in the past year, I was better able to appreciate his impressive storytelling skills. Fortunately, it's still in print and readily available, and as a result, I've belatedly discovered a great read and a comics creator worth following. The basic premise is an oft-used one, as the Devil, Lucifer, wakes from a one-hundred-year sleep on the eve of Armageddon and questions his role in God's overall plans, "tormented by the memory of having been his brightest angel." Black Lily Baptiste, a former prostitute who is now one of God's most faithful, becomes his target, first for an "old school temptation" as a warmup to the apocalypse, then as a chance for redemption as he seeks to abdicate his throne as the prince of darkness and help "bring [God's] light to the world." Tooks makes the story his own, deftly balancing some intriguing theological philosophizing -- "man does not need me to lead him astray..." -- with two sharply defined lead characters (and a varied and entertaining group of supporting characters) who give his tragic, if inevitable, ending a thought-provoking, emotional gutpunch. Tooks' deceptively unrefined visual style won't appeal to everyone, especially fans of "traditional" sequential art, but as is often the case with singular visions, the overall package works very well together, the whole much greater than the sum of its uneven parts. His varied layouts and shifting styles may seem erratic at first -- almost amateurish, even -- but by the end, you realize that it's actually an example of an artist defining his own signature style, knowingly breaking the rules, and doing so in ways that strengthen his story. Fans of literary "What if..." stories and late-night, coffee shop philosphizing will enjoy The Devil on Fever Street, and I'm now looking forward to checking out the next three volumes in the Lucifer's Garden of Verses series.
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