Lucia in London

by E.F. Benson

Book Overview

Lucia in London is a 1927 comic novel written by E. F. Benson. It is the third of six novels in the popular Mapp and Lucia series, about idle women in the 1920s and their struggle for social dominance... This description may be from another edition of this product.

• Format: Paperback
• Language: English
• ISBN: 0060913738
• ISBN13: 9780060913731
• Release Date: January 1987
• Publisher: Harper Perennial
• Length: 256 Pages
• Weight: 0.75 lbs.
• Dimensions: 0.8" x 5.3" x 8.0"

Customer Reviews

Utterly delightful

Continuing the extraordinary adventures of Lucia, Benson's delightful story is full of the gossip and social-climbing one comes to expect of Lucia. Peppino, Lucia's husband, inherits a fortune and a house in London after the death of his aunt. Lucia has been the queen of all of Riseholme for ages, with her court including her best friend Georgie, an eternal bachelor who embroiders. When she ascends to London, Riseholme is bereft and feeling slighted, but soon they plot their revenge. Unfortunately for them, Lucia conquers London's high society and overcomes all obstacles in her path to greatness. But can Lucia keep up the pace of London society? And does she plan to desert her beloved Riseholme forever? The Lucia series, beginning with "Queen Lucia", is a delicious concoction of maliciousness and snobbery that will convert any reader.

Luciaphils!

This is the ultimate book for social climbers everywhere - Lucia the Queen of the tiny town of Riseholm goes to London and takes the town by storm.This is such a brilliant story - absolutely hilarious - full of the beauty of social sycophancy and insincerity. Everyone knowing what is going on except Lucia who is (almost always) triumphant. When Lucia's husband's aunt dies they are left with a house in London (and when the news is received in Risehome much calculation is doneby everyone based on no real facts at all.) It is up to Lucia's sidekick, Georgie, to wheedle the news out of her about the house in London and the income.Lucia, who has always stated how she loathes London has now (very reluctantly you understand) decided to go to London for the season. Her departure from Riseholme however has a number of effects - the first being the power vacuum in Riseholme itself, and secondly she really does end up taking London by storm. Even the most vague of acquaintances of hers are treated as close bosom friends and called by their first names and name dropped shamelessly by her everywhere. This goes on till there is a firm group of Luciaphils in London who are so astonished and appreciative of her powers as the Queen of Social climbing that they establish an informal club to help her and to admire her mastery at work.In Riseholme life does not go on without Lucia, it goes on firmly DESPITE her - everyone is determined to make a success of their village in her absence to show how much she is not at all needed there. There is the museum to establish,and then Daisy Quantock has helped them all discover the Ouija Board and the powerful spirit Guide (Abfou). They spend a great deal of time 'weedj-ing' for signs of what to do next.If you haven't discovered Lucia novels yet, you must - Benson writes wonderful sardonic stories full of the small, pettiness of village life and its power struggles. This is wonderful light, laugh out loud stuff.

Not much testosterone, but plenty of chuckles.

Lucia Lucas (born Emmeline Smith) wished the world to know that the recent death of her husband's aunt, who was 83 years old and who had spent the last seven of them bed-ridden in a private lunatic asylum, was "a grievous blow". Suppressed were the facts that neither Lucia nor her husband had hitherto given much thought to the aunt, and the fact that when Lucia's husband last visited the aunt, seven years previously, she bit him. No, the world must be convinced that the death of "dear Aunt Amy" was not a "happy release", it was "a grievous blow", requiring the wearing of veils, the drawing of blinds, and stoically-born, inconsolable suffering.So begins E F Benson's 1927 novel "Lucia In London", one of six in which the author chronicles the worlds of Riseholme and its social climbing leading resident, Lucia. I say "worlds" because we are presented with two worlds. There is the real world and the world of pretence. Most characters, especially Lucia live in both worlds. What they privately covet, the publically despise. What they really feel, for example at the death of an aunt, they suppress in order to pretend to something more publically admired. Benson's chronicles are great fun. The pretence, the point scoring, the absurdity, are richly detailed. There's not much testosterone, but there's a chuckle at least in every sentence. Benson's novels are suitable for reading aloud. What is consummate prose on the page becomes great art when read for Isis Audio Books by Geraldine McEwan. I have listened to her reading over and over again. Listening in the car, I have found the longest journey in outback Australia to be pure pleasure. Be warned, however, that your laughing might impede your driving competence.

Not much testosterone, but plenty of chuckles.

Lucia Lucas (born Emmeline Smith) wished the world to know that the recent death of her husband's aunt, who was 83 years old and who had spent the last seven of them bed-ridden in a private lunatic asylum, was "a grievous blow". Suppressed were the facts that neither Lucia nor her husband had hitherto given much thought to the aunt, and the fact that when Lucia's husband last visited the aunt, seven years previously, she bit him. No, the world must be convinced that the death of "dear Aunt Amy" was not a "happy release", it was "a grievous blow", requiring the wearing of veils, the drawing of blinds, and stoically-born, inconsolable suffering.So begins E F Benson's 1927 novel "Lucia In London", one of six in which the author chronicles the worlds of Riseholme and its social climbing leading resident, Lucia. I say "worlds" because we are presented with two worlds. There is the real world and the world of pretence. Most characters, especially Lucia live in both worlds. What they privately covet, the publically despise. What they really feel, for example at the death of an aunt, they suppress in order to pretend to something more publically admired. Benson's chronicles are great fun. The pretence, the point scoring, the absurdity, are richly detailed. There's not much testosterone, but there's a chuckle at least in every sentence.

Funny tale of a shameless, but entertaining, social climber

When Lucia's husband's Aunt dies and leaves a house in London Lucia seizes her chance to be a fashionable London hostess. Casting off her hometown friends she climbs to the top of London society, only to find she should have kept her old friends close to her all the time. Possibly the best of the six "Lucia" novels.