Lost Souls

by Michael Collins

Book Overview

With such novels as The Resurrectionists, Michael Collins has galvanized his reputation as a master of the literary thriller. In Lost Souls, he embarks upon his most ambitious project yet, offering a harrowing portrait of a stricken American community. On Halloween night, a small midwestern town is traumatized by what appears to be a hit- and-run accident. But the mayor and chief of police conspire to divert the investigation away from the prime suspect,...

• Format: Paperback
• Language: English
• ISBN: 0143035886
• ISBN13: 9780143035886
• Release Date: September 2005
• Publisher: Penguin Group
• Length: 260 Pages
• Weight: 0.45 lbs.
• Dimensions: 0.5" x 5.1" x 7.7"

Customer Reviews

An Irishman who knows our local history.....

This was my first reading of a work by Michael Collins, who I met at an informal book signing in Dowagiac, MI. He has somewhat adopted this small town, approximately 25 miles north of Notre Dame University where he had a athletic scholarship to run on their cross county team and graduated from their Creative Writing School. He is truly representative of the "fighting Irish" as he was born and raised in Limerick, Ireland. Lost Souls is a murder who-done-it that will keep you turning the pages to find out the next twist, which to me, is one important test of a mystery novel along with not too much side-show but enough to know where you are and who the people in story are. This is the book to take on your next trip or maybe tonight, if you want to read something you can't put down...and this is even the time of year to tie-in with the story, Halloween! Collins use of a small Midwestern town, maybe not unlike Dowagiac, provides a comfortable feel for plain surroundings and easy to identify characters. There is a level of realism in the way the author develops the characters which reminded me of folks I've met along the way. He takes us on a journey, begun with the murder of a child dressed for tick or treat but it is only the first of many murders. It is told to us by Lawrence the local cop, who himself is going through many life crisis. He seems to know what he should do but at each fork in the road he takes the easy path, yet his life continues to spin out of control. We meet some people who are suspects not just to the murders but doing their best to cover up the facts. They like Lawrence have their own demons and Michael gently inserts many clues to help or not, yet urges us on to the next chapter to find out more. This is not an Irish author writing a small town Midwestern mystery but an author who knows about story telling. In the best tradition of Irish writers he is able to tell us a story without the pain and suffering from the old sod about his adopted land. There is something special in those Irish genes for spinning a great yarn! I am sure we will be reading much from this very talented writer. Lost Souls is well worth your reading and I look forward to his next book Bill Higgins Higgins721@aol.com

Gothic Tale of Murder and Redemption

The almost gothic aura of Lost Souls comes early in the image of a dead child dressed in an angel's costume discovered dead in a pile of leaves by the side of the road on Halloween. The opening chapter sets the tone for Lost Souls, a ruminative, down and out, divorced cop who muses on his dead end life before he discovers the body. Collins sets up the main cop with a moral choice. The cop is asked by the mayor and chief of police to participate in a cover up of the child's death, and in exchange the cop (Lawrence) will get the police chief's job when the chief retires. The cop agrees, though reluctantly, and what ensues is a twisted plot of deceit and series of murders spawned from the original death of the small child. Chillingly real, the high school scenes are reminiscent of so many murders at our high schools over the years. The cop in his dead pan first person voice gives a brutally honest account of the souls of all the characters within the novel. He is neither complimentary nor degrading in his opinions, rather the chilling details of the lives lived in this Lost Town are all too real. In our reading group we felt Lost Souls was a great murder mystery, a genunine page turner packed with a range of great characters, and though we as readers go through the valley of hell through much of the novel, it does end with a believable, redemptive quality which we though was in keeping with the novel. The main character, though flawed, is essentially good and after all the murders that take place in Lost Souls, it is to the author's credit that he could offer a different vision toward the end of the novel. Lost Souls is one of our picks for the year so far.

Blood on the Scarecrow

Not far into Lost Souls set in a small Midwest town, I got a feeling I was within the world of John Mellencamp, a world of little pink houses and small lives. If a Mellencamp song could become a ballad, then Lost Souls is that ballad, a fable-like story of the death of a small child on Halloween that spawns a tragic tale of loss and death. Lost Souls is one of the most beautiful, and yet tragic novels I've read in ages. Told through the eyes of a first person narrator, Lawrence, the cop who uncovers the dead child amidst a pile of leaves in an angel's costume, we get a narrative that flits between a shimmer of literary genius and the cold, stark reality of the lives lived within the novel. Only Carver and Richard Ford have handled the subtleties of lower class life with such profound dignity and compassion. The lives in this book are rendered with a tragic pathos. The novel's structure is so in keeping with the narrative voice, a twice told tale, a cop remembering, reliving a nightmare period in his and the town's life. The sense of retelling, the inevitable tragic outcome gives the book its weight and density. Brilliantly advanced through a sequential telling of events, the narrator brings the mystery to focus through his eyes and fears. We feel the mounting tension and drama. The shortness of the chapters is a compelling stylistic device that keeps this story racing toward an ending that cannot be predicted, but illuminates the power of the author. In a slight of hand, I felt this was not just a murder story, but something deeper. It's elegiac in its compassion but also in its realism, and from my California beach property I was transported for a few days into the far flung denizens of the plains who also call themselves Americans. After reading the book, its undertow of a book is so strong I went down for a swim, to cleanse myself of the novel. I mean that in a good way. I remember surfacing and looking back at my house and feeling glad my ancestors had moved West with their dreams of gold and the ocean.

Lost Lives

If a title can sum up a book, Lost Souls captures this brilliant, heartbreaking tale of desperation in small town America. The first chapter ends with an account of a child's death so haunting it made me cry. Working with a conceit of costumes and masks, a dead child amidst a pile of leaves, to a boy in a ET mask, to a quarterback in a helmet, to hints at a KKK past of dark secrets, this book flits between a cold realism and gothic details as a cop central to the coverup of the little girl's death becomes embroiled in a web of political and emotional turmoil. Part psychological, part sociological portrait, Lost Souls has the pace of a thriller, but the resonance of a deeper story, and through the latter part, in sequence of a breast cancer examination at the mall, to a trip through an immigrant ghetto on the outskirts of Chicago, the novel takes on an elevated sense of power and insight, marking Collins as one of a few writers of true social conscience.

Quiet Nightmare

In a seamless story of actual loss (the death of a child), and a more ethereal emotional loss that permeates this sad, but honest, novel, author Michael Collins, continues to mine a slice of the American psyche we may not want to stare into. Lost Souls is David Lynch's Blue Velvet meets Mystic River, a surreal realism that takes readers into the dark psyche of a town. Bleakness permeates this novel, a cop who has pulled a gun on his wife, divorced and unable to pay child support, a cop who is pulled into a cover up of a supposed hit and run on Halloween night in a small mid-west town. The inevitable trajetory of the novel is not hidden, but what Collins does is take us deep into the sense of despair and moral crisis facing so many people in economic ruination. There are trenchant passages of brilliant insight within this novel, and amidst a surreal story where the bodies pile up, Collins pulls off an uncanny, and amazing masterpiece of literary suspense.