At the center of this project is the series "Raphael and La Fornarina" from the Suite 347 with twenty-five lithographs made by Picasso in 1968. The print Raphael and La Fornarina XXII: The Pope in the Armchair Feels Cuckolded is examined as well as the various references that are incorporated into it. The beginning of this research topic was the exhibition of these prints at the Picasso Museum in 2009, and has been expanded by Mal n Gual in his essay...