Lolita: A Screenplay

by Vladimir Nabokov

Book Overview

The screenplay for Kubrick's 1962 film tells the story of an older man's obsession with a young girl. - This is the purely Nabokov version of the screenplay and not the same version which was produced as the motion picture Lolita, distributed by Metro-Goldwyn-Mayer, Inc.

"A few days before, at a private screening, I had discovered that Kubrick was a great director, that his Lolita was a first-rate film with magnificent actors, and that...

• Format: Paperback
• Language: English
• ISBN: 0679772553
• ISBN13: 9780679772552
• Release Date: August 1997
• Publisher: Vintage
• Length: 240 Pages
• Weight: 0.58 lbs.
• Dimensions: 0.6" x 5.1" x 8.1"

Customer Reviews

A road movie of the mind

Praise be to Graham Greene, who was not only an interesting novelist (e.g. The Quiet American), but he also has the merit of saving Nabokov's Lolita from obscurity. When the book found no publisher in the US, it was first brought out by a shady Parisian company that specialized in erotic books in the English language. That was a tourist attraction in Paris. For reasons unknown to me (why would Greene even know the series? he had other oddities about his character), Greene took notice of the book and named it as one of the best books of the year in a magazine article in the UK. That was the beginning of the road to fame and riches for Nabokov, including an Oscar winning, but lousy movie. I admit I have not read Lolita recently, but I did at least twice some time ago, and I read his movie script in the LoA volume. Why do I review it now? Simply because J. talked me into it. Women can be persistent. J did not like Lolita because she saw it as pedophile porno. I am aware that one can read the book that way. Actually most of the first buyers must have been looking for that, but most of them were badly disappointed. Sure, the book is about a pedophile, but Nabokov never told us a straightforward story. One must be prepared to encounter mystifications and traps and double meanings. Lolita's main text body is the alleged memoir of a man who has died in jail, where he was held for murder. We learn only late into the story who the victim was. Oddly, he was not in jail for rape and kidnapping, which he freely admits to in his text. The hero is a decadent middle aged European of a cultured background. He has come to New England as a professor for literature. He is a pedophile, who can only 'love' pre-puberty girls. Nabokov's original title for the book was Kingdom by the Sea after E.A.Poe's poem. Humbert Humbert (the name should tell us that we can't expect clear sailing on meanings) settles down and meets a woman with the kind of daughter that he fancies. He marries her to get at the child. The woman dies (don't necessarily believe the version of her death that HH tells us), he kidnaps the girl Dolores, rapes her, and goes on the road with her, moving from place to place all over the US, settling here and there briefly, always running away before attachments can be formed. And still there comes a time when Lolita runs away from captivity. What is the book about? It is also a little bit about pedophilia, sure, but it is mainly about an immigrant's experience of the US. Nabokov wrote about his own observations with his New England university environment, and to a large extent he wrote about his long car trips across the US on his butterfly hunts. The places where HH stays with Lolita are Nab's own stations, where he stayed with his wife, who drove the car. HH is not a man who can be believed. He twists his tale to his liking, and even his admissions of wrongdoings with the girl have a strong smell of self-saving euphemism. The man is a self-centered egomaniac

"I, on my part, was as naive as only a pervert can be."

I have no real excuse for not reading "Lolita" before this late date. It's certainly a book that crops up in conversation a great deal. I watched the James Mason film version of the book years ago--perhaps that's what put me off. I recently watched the Jeremy Irons version and loved it. I suppose part of me asked why myself why I'd want to read a book that is essentially the ramblings of a middle-aged pervert. Anyway, I decided that I'd procrastinated long enough, and it was time to get serious and find out what all the fuss is about. The story is narrated by middle-aged Humbert Humbert. He's a pedophile--although he's tried denying it, tried disguising it, and tried channeling his baser instincts, but as luck would have it, Humbert finds himself as the lodger at the home of a buxom, lonely widow, Charlotte Haze and 12-year-old daughter, Lolita. Humbert doesn't particularly even like Lolita--he actually finds her rather dull, but she becomes a vessel for the fantasies left by Humbert's unfulfilled first love affair. Due to the subject matter, the book was, at times, rather difficult to read, and it is a tribute to Nabokov's skill as a writer that I was gripped by this story. Humbert Humbert is at his most 'human' (introspective) during his pre- and post-Lolita phases. Once Humbert crosses the boundaries of ethical behaviour and begins a physical relationship with Lolita, there is no going back. At times, Humbert congratulates himself for his cleverness and calls himself a "magician," and then at other times, Humbert seems to realize how despicable he truly is. Unfortunately, the occasional flash of insight is too pale and fleeting to release Humbert from his obsession with his "nymphet" and so Humbert accepts his enslavement and ultimate fate. As the novel develops, Humbert relates his seduction of Lolita and his subsequent relationship towards the child. His manipulative behaviour with Lolita was nauseating, and he acknowledges that Lolita has "absolutely nowhere else to go." Humbert keeps it that way--and turns Lolita into his personal prostitute. Vain, selfish Humbert is a despicable character and at no point did I feel one iota of sympathy for the man. His ability to focus solely on his destructive, obsessive needs is chilling. And yet while I despised the character of Humbert, the story was compelling. How did Nabokov manage this? The brilliant ending of the novel is a triumph of literature, and the words gave me goose bumps. "Lolita" is one of the best books I have ever read--displacedhuman.

porn, poetry and pyrotechnical language

If you've only heard of "Lolita" from its reputation as being "pornographic", you are in for a surprise when you read it. Yes, it involves a lecherous, middle aged man chasing after a 12 year old "nymphet". Yes, it is deeply disturbing and makes one queasy at times. It is also a brilliant, funny, witty, literary rollercoaster which will delight you and dazzle you with the beauty of language. Nabakov can make words jump through hoops you never even knew existed, while he explores the dark realms of obsession and longing.The narrator, Humbert Humbert, is a fascinating construction. As readers, we find ourselves simultaneously repelled by his actions and sympathetic to his yearning. We are utterly charmed by his wit, intelligence and verbal acrobatics, sometimes to the point where we lost sight of what he's doing to his object of desire, Lolita.I would suggest that all readers reaquaint themselves with the concept of the "unreliable narrator" before they sink into Humbert's hypnotic web of logic. When you find yourself sympathizing with Hum about Lolita's "cruelties", try to remember that you are seeing everything through his twisted and self-serving lens. Humbert has rationalized his behavior so deeply and reports it to us so entertainingly, that we find ourselves accepting his interpretations of people and events at face value. However, we must remember that Hum is capable of the most monsterous of deceptions (note how long it takes him to inform Lolita of her mother's demise), and of self deceptions. Read between the lines. Question his reading of events. Pay attention when his reporting is at odds with his interpretations of them. As one example, Humbert tells us that he was seduced by Lolita, giving us the impression that she was sexually mature and a willing partner. Contrast that with his throwaway mentioning of her "performing" for him in exchange for treats, and watching television as he took his pleasure in her. And don't ignore Lolita sobbing each night, as he seems to do.Nabokov has created a connundrum for us as readers. He uses the most glorious tricks and delights of the English language to tell his tale of self-deception and rationalization masquerading as "love". Look beyond the circus to the grime beneath it, and appreciate the mastery that gives us both.

Lolita, light of my library.......

One of the most beautifully-constructed novels of the Twentieth Century, it is also one of the most misunderstood. When published in the 1950s, bluenoses criticized "Lolita" for its allegedly frank sexuality. Today, people look at it askance because of our increased sensitivity to child abuse and molestation. In addition, it was written by a Dead White European Male (not to be confused with White Widowed Male). Unfortunately, conservative and liberal critics scrutinizing the surface of "Lolita," as well as those panting maniacs looking for titillating stuff, demonstrate and appalling ignorance of Vladimir Nabokov's "intentions" (almost as shaky a term in his world as "reality").We may read "Lolita" through the perspective of nymphet-obsessed Professor Humbert, but Nabokov himself described Humbert as a "vain and cruel wretch who manages to appear 'touching.'" (See "Strong Opinions," Page 94, Vintage International Edition.) Furthermore, anyone familiar with Nabokov's other works knows of his penchant for unreliable narrators, such as Charles Kinbote in "Pale Fire." We can label Humbert as yet another member of that pesky legion. Of course, Humbert commits the crime of pedophilia, but the legal transgression is not the worst thing he does to Dolores Haze, the titular "Lolita." At least initially, there seems a mutual attraction between Humbert and Dolores. (But then, perhaps Dolores simply wanted to find someone to side with her against her mother. And look who's telling the story.) Unfortunately, Humbert carries the relationship too far, robbing Dolores of her freedom and humanity by turning her into a simple, two dimensional sex toy he has labelled "Lolita." Of course, Humbert also abuses Dolores physically, smacking her when she doesn't "behave" and forcing himself sexually on her. Looking at all this, I'm a little surprised that a feminist writer hasn't started work on "Dolores' Diaries......" Pedophilia and solipsism aren't the only themes covered in "Lolita." Since Nabokov portarays the erotic scenes and sensual images with a modesty based on artistic sensibility (rather than prudery), your standard pedophile seeking simple stimulation would probably end up bored by Nabokov's writing. Unless, of course, there happen to exist pedophiles also titillated by mythical and literary allusions; puns and anagrams that transcend linguistic boundaries; catalogues of quotidian life; parodies of Freudian psychology, popular culture, etc.; arcane and esoteric trivia; the melting pot of "high" and "low" culture; the bizarre coincidences that supplant the standard symbolism of most literature at that time; and so on.Of course, "Lolita" is very funny, despite its narrator's moral deficiencies. Humbert's comments on certain subjects (such as Freudian psychology, pseudo-intellectual pretentions, pointless scientific studies, etc.) and his sardonic asides are absolutely hysterical. And the final showdown between Humbert a