For this definitive collection of Pound's Literary Essays, his friend (and English editor) T. S. Eliot chose material from five earlier volumes: Pavannes and Divisions (1918), Instigations (1920), How to Read (1931), Make It New (1934), and Polite Essays (1937). 33 pieces are arranged in three groups: "The Art of Poetry," "The Tradition," and "Contemporaries." Eliot wrote in his introduction: "I hope that this volume will demonstrate that Pound's literary criticism is the most important contemporary criticism of its kind . . perhaps the kind we can least afford to do without . . . the refreshment, the revitalization and 'making new' of literature in our time."
Pound's literary essays are an indispensable companion not only to his own poetry, but also to what is generally referred to as modernist poetry, especially that of T. S. Eliot and the later Yeats, in general. The first few essays announce a clear break with the poetry of the 19th century and urge a return to the authenticity (my term, not Pound's) of earlier, premodern styles of lyric poetry. Some of Pound's assertions may not make sense to a reader who is largely unfamiliar with the development of lyric poetry from the Renaissance to the 19th century, or with Pound's poetry itself--the essays are not written for the uninitiated. I highly recommend reading Pound's poems alongside his essays since the two always elucidate each other, the essays providing an explanation of the poems' rationales, and the poems offering examples of the essays' arguments. But Pound's explanations are typically lucid in themselves, and one could hardly find a clearer articulation of the modernist aesthetic agenda.
Great essays from the modernist era
Published by Thriftbooks.com User , 25 years ago
I find that reading just the first two essay was worth the money I spent on this book. Pound writes his literary essay with creativity, intelligence, and humor that are rare even among the best essayists. "A retrospect" is a great guide to use for those who takes interest in writing poetry. Likewise "How to Read" will serve as a great crash course for the history of poetry, and provides us with an instruction on how to approach poetry. His personal critique of other writers are also worth reading.
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