The Damned Season

by Carlo Lucarelli

A sequel to Carte Blanche. Commisario De Luca is recalled to duty to investigate a series of brutal murders motivated by political power struggles and ominous postwar machinations in the aftermath of the fall of fascism.

• Format: Paperback
• Language: English
• ISBN: 1933372273
• ISBN13: 9781933372273
• Release Date: May 2007
• Publisher: Europa Editions
• Length: 128 Pages
• Weight: 0.40 lbs.
• Dimensions: 0.5" x 5.7" x 8.3"
• Age Range: 18 years and up
• Grade Range: Postsecondary and higher

Customer Reviews

This is literature

Lucarelli not only tells the story ... you feel it. It was a terrifying time to live - after WW2 and after Fascism had ruled Italy since 1923 ... and now who could be trusted? Police/army/politicians/ordinary people? I read far into the night. The preface is worth reading (only a page or two of explication).

The "Coming Asunder" of The Commissario

The first volume in Carlo Lucarelli's saga of Commissario De Luca, "Carte Blanche," began with an explosion. This, "The Damned Season," the second installment begins with De Luca contemplating an exposed land mine, as he flees the vengeful victors in Northern Italy. His reverie is interrupted by a local policeman who recognizes him, confiscates his forged papers, but offers to help De Luca in exchange for his assistance in solving a particularly horrendous crime: the murder of four people and their dog. Much like the fascist authorities in "Carte Blanche," the cop, Brigadier Leonardi, is eager to solve the crime. Where they sought to force De Luca to focus on a particular suspect, Leonardi tries to divert him from focusing on a rather obvious suspect. The obvious suspect is a hero (if a particularly brutal one) and leader of the local partisan resistance. Popular sentiment regards this man, named Carnera, as uncorruptible. After De Luca is seduced by Carnera's mistress, Carnera, unaware of the Commissario;s true identity, promises De Luca that he will kill him. The stage is thus set, an apolitical cop who served the fascist state, in pursuit of a brutal, homicidal communist hero, who may(or may not) have wiped out the four murder victims for motives that aren't entirely clear. What was the cost of vengeance taking, by all sides, during and after the war, on the social order? If the crime is solved will Leonardi keep his promise? If not, what will become of Commissario De Luca? All of these questions--or almost all of them--are answered in this stylish novella. The answers; however, may bring scant comfort to De Luca, or the reader. The reader, at least, will be eager for more.

A great, short read

If you want uplifting stories with a happy ending , go elsewhere. But if you want an engrossing story that will show you a very different view of Italy than Salvo Montalbano, read this. This is Italy at the bitter end of World War II. And if the book is disjointed, confused and cynical, so was that period in Italy. The "good guys" mostly win at the end. Trouble is figuring out if they are "good".

It's a question of legal responsibility

THE DAMNED SEASON (Pol. Proc-Comm. De Luca-Italy-1945) - VG Lucarelli, Carlo - 2nd in Trilogy Europa Editions, 1991/2007, US Trade paperback - ISBN: 9781933372273 First Sentence: There was a land mine in the middle of the trail. The Allies have come to Italy and Commissario De Luca is exhausted, hungry and traveling with false papers as his name is on the list of those wanted for working with the Social Republic. He is found by a young officer, Brigadier Leonardi, who wants to be good policeman solving crimes. He saw De Luca at a police-training course and offers to keep De Luca's identity a secret in exchange for showing him how to solve the murder of four people and a dog. The translation from Italian to English does seem a bit awkward at times, but not so much as to every stop me, and while this is the second book of a trilogy, the mystery does stand alone. The plot is a puzzle and I was fascinated watching De Luca pick up each small piece and put it in place. Having the book set in such a period of political uncertainly gave the story an element of suspense, but it is really a murder investigation. De Luca said it best "This is not a moral battle between the good guys and the bad buys, Brigadier," he said. "For us, homicide is simply a physical fact, a question of legal responsibility." There is very little, basically no, character development which would usually annoy me. The book is totally plot driven, and I find the plot so interesting, I didn't mind. What little development there was of De Luca makes him a very human and interesting character. As with the first book of the Trilogy, at the end the murder is solved but De Luca's future is unknown. I know I'll be reading Part III to find out.

"I dreamed one man stood against a thousand

One man damned as a wrongheaded fool. One year and another he walked the streets, And a thousand shrugs and hoots Met him in the shoulders and mouths he passed." Carl Sandburg. At the conclusion of Carlo Lucarelli's "Carte Blanche" in the spring of 1945, the fascist government of Italy had just collapsed and Commissario (Investigator) De Luca, like many officials of all stripes tarred with the brush of employment by the regime, was last seen fleeing for parts unknown. Volume II of Lucarelli's De Luca Trilogy, "The Damned Season", finds Commissario De Luca in hiding, using a false identity, wandering through the towns and villages of northern Italy just trying to get by and avoid arrest by former partisans now in control of large areas of Italy. As luck would have it, De Luca stumbles into a village in which a triple homicide has just been committed. As fate would have it the partisan police officer tasked with investigating the murders recognizes De Luca and makes De Luca an offer he can't refuse, help me solve the murder and I will preserve you new identity or get arrested and executed. De Luca accepts the offer not just because of his strong desire for self-preservation but his almost compulsive desire to actually do what a detective does best - solve crimes. The plot is not complex and although interesting not the main reason why this book was worth reading. As drawn by Lucarelli, De Luca is a pretty compelling figure. As noted in a Preface to the book the character of De Luca was formed after Lucarelli interviewed a police officer whose career spanned most of the middle years of the 20th-century. (The preface actually does a great job in setting up the essential character of De Luca and should not be overlooked.) He is neither a hero nor an antihero. He seems to want to be nothing more than to be a detective yet at the same time he cannot quite convince even himself that his brief stint in Mussolini's secret police did not stain his career. He may assert that he'd never tortured anyone and left the secret police as soon as he could but he knows that in post-war Italy any connection to the former regime are enough to doom him. Still, he manages to put all this aside and proceeds to help untangle the web of political, cultural and other intrigues that led to a brutal series of murder. This is what he does best and so solving crimes is what he will do even if he risks exposure and death. Lucarelli's ability to recreate an atmosphere of Italy on the edge of chaos and anarchy in the post-war period brings "Damned Season" to life. I got a real sense of time and place while reading "Damned Season" just as I did in reading "Carte Blanche". Apart from De Luca, Lucarelli does not invest a lot of time in presenting us with a full-blown character analysis of the key parties to the crime and its aftermath. We also don't get a lot of the internal life of De Luca but De Luca's actions tend to speak for themselves and over the course of this