Liaisons Dangereuses, Les

by Pierre Choderlos de Laclos, Šaderlo de Laklo, Pierre Ambroise, et al.

Book Overview

The complex moral ambiguities of seduction and revenge make Les Liaisons dangereuses (1782) one of the most scandalous and controversial novels in European literature. Its prime movers, the Vicomte de... This description may be from another edition of this product.

• Format: Paperback
• Language: English
• ISBN: 0140441166
• ISBN13: 9780140441161
• Release Date: November 1961
• Publisher: Penguin Group
• Length: 400 Pages
• Weight: 0.53 lbs.
• Dimensions: 0.9" x 5.0" x 7.8"
• Age Range: 18 years and up
• Grade Range: Postsecondary and higher

Customer Reviews

A literal giant

The book is based on letters. It's so authentic that you forget the manner in which the words differ from our present time and you forget it was set on a different era. This book is truly a literary giant

A wickedly enthralling study of evil

Choderlos de Laclos' epistolary novel has been made into at least three film versions, but none of them come nearly up to the real thing. Laclos' story of evil and depravity, starring a pair of jaded aristocrats so satanic we wonder if they have a human bone in their bodies, is one of the greatest, if not the greatest, novels of the 18th century. In a nutshell, it revolves around the cynical plot to seduce and destroy the reputation of a young girl fresh out of her convent, which they plan and achieve with the icy calm and cynical detachment of a pair of mathematicians solving a calculus problem.The anti-hero and anti-heroine of this book, the Vicomte de Valmont and the Marquis de Merteuil, fascinate and repel us at once by their sheer wickedness. Valmont is a depraved Casanova, lay-em-and-leave-em, who has lost count of all the broken hearts and destroyed characters he has left in his wake. The Marquise de Merteuil, married and widowed too young, has combined shrewd intelligence with appalling powers of deception to engage a string of lovers whom she uses and casts off at random. Somehow these two find each other and form an unholy partnership. When the book opens, their affair is already spent, but they have remained friends; and the Marquise is infuriated when she learns she is about to be dumped by her current lover, a rich aristocrat named Gercourt, who is about to marry Cecile de Volanges, the most naive teenager who ever emerged from the protective cocoon of convent education. Her main attraction, for him, is her virginity, and it is this the Marquise wants Valmont to do away with so that Gercourt will find out on his wedding night that he didn't get the innocent virgin he was expecting, but an already corrupted young woman, and will become the laughing stock of Paris.Seducing and abandoning an innocent girl is an old story to Valmont, but he has more pressing concerns; he is hopelessly in love with a young married woman, Madame de Tourvel, whose virtue seems impregnable. And here he appears as more sympathetic and human than the Marquise; even if he's trying to seduce a married woman, he, at least, is capable of love; something which is beyond the Marquise, who sees other people as nothing more or less than objects to be used or cast aside. It's only when he finds out that Cecile's mother has been telling Madame de Tourvel his scandalous life history that he decides to seduce Cecile, to pay back the mother for messing in his business. At the same time, he perseveres in his pursuit of Madame de Tourvel. But just at the point of victory, the Marquise turns his very strength, his ability to love, into a weakness; she uses it as a weapon against him to make him think his love for Madame de Tourvel is contempible. At this point, we see the real conflict in the book, Valmont against the Marquise. But Valmont, as cynical and jaded as he is, is no match for this lady; her very emotional detachment makes her unassailable. Valmont doe

A masterpiece of manipulation (and an excellent translation)

When I read Choderlos de Laclos' 1782 novel, "Les Liaisons Dangereuses" (which retains its French title in the 1961 English translation by P W K Stone), I found myself amazed and thrilled by its absolute excellence of execution. Its energy and spirit, and the seductive and machiavellian - perhaps even diabolical - undertones which whisper throughout the work, urge the reader ever onwards in the best page-turning tradition. It is possibly not for nothing that the book itself was eventually decreed 'dangerous' by French officials a full 42 years after it first appeared, long after it might have been expected to have lost its ability to shock. Even if you have seen the films "Dangerous Liaisons" (dir. Steven Frears) or "Valmont" (dir. Milos Forman) based on the book - and whether or not you liked them - this is an outstandingly good novel which is beautifully served by the precise and graceful prose of its translator, whose subtle range of diction manages to convey the tones and tempers of the characters most convincingly. The written story's chief virtues - a compelling narrative drive, and a skill in characterisation which permit some superbly-observed insights - easily withstand comparison with the screen versions; even today, when we are so fully exposed to the diverse secrets of the psychiatrist's confessional and the details of all the world's vicissitudes and miseries, it would be hard to improve on their portrayal here in print.The book succeeds so well for many reasons. Some of its appeal to a sophisticated (or at least blasé) modern audience is, I believe, the multi-layered cynicism of its vainglorious but not unattractive main characters and rivals, the Marquise de Merteuil and the Vicomte (viscount) de Valmont, a reminder that profound deceit is not the sole prerogative of the post-industrial era. Part of the reader's amusement is to observe how their egotism - by far the most easily-wounded of their sensibilities - is also an exercise in the deception of themselves as well as of all those with whom they have dealings. Equally, their wily scheming and duplicity simultaneously appal the reader while also appealing to any secret desire he might himself harbour to exercise his or her own will with equal freedom and with equal heedlessness of conscience or consequences, thus planting a distinct ambivalence in his breast. This effect is augmented by the shifting first-person narrative, a device which gives the voices of its protagonists an intimate (and often touching) immediacy and multiplies the scope for irony by giving the reader a consistently better view than the characters, to which the skilful interweaving of the sub-plots also contributes. I should mention that the novel is written entirely as a sequence of letters. This format was common in the 18th century when the book was written, but its relative rarity in modern fiction makes its appearance today refreshing. That it is overtly concerned with the sexual seduction of the weak by

one of the top three of all time...

Along with L'Assommoir by Zola and Journey to the End of the Night by Celine, Choderlos de Laclos's masterpiece ranks as one of my favorite books of all time. To fully appreciate the genius of the letter writing form,one must understand that the libertine novels of the 18th century all utilized this format. Laclos admittedly set out to write a book that would depart from other works of the century to leave a dramatic imprint on the world, and he succeeded. While written in the same lingusitic and seductive style of a libertine novel, Laclos transforms the limited and mundane scope of the libertine world into a riveting classic. Each character reflects a different conception of "love" and how the libertine world can go awry when true sentiment is confused with lust. La Marquise de Merteuil reflects the purest degree of libertinage. In perhaps the most spellbinding of all the letters, she explains to Valmont her duplictious conduct after her husband's death to obtain her reputation among men and place herself at the forefront of society's attention. In contrast, Mlle. de Tourvel is the epitome of sentimental love, to the point that she can become physically ill if it is not reciprocated. Clearly what separates this work from other romance novels of the 18th century, elevating it to the level of other world masterpieces, is the character of Valmont. He is the heart and soul of this novel in every way possible. One one hand, Valmont is extremely self-assured in his ways, when describing his calculating, rational strategy in courting naive young ladies. On the other hand, he refuses to accept the reality evidenced by his relationship with Mme. de Tourvel that he is not the manipulative libertine that he, and society, consider him to be. The deep struggle within Valmont between his true feelings and his vanity in preserving his reputation of libertinage is perhaps the most compelling storyline in the novel- because it is physcological and under the surface. At this level, Les Liaisons Dangereuses is often compared to "Crime and Punishment". les Liaisons is more subtle in its physcological dimension in that the reader must form her own conclusions about Valmont's physchosis whereas Raskelnikov's mental state is at the heart of the prose. If I have not convinved everyone yet to go ahead and experience the magic of Laclos (who fortuneatley survived the Terror), then I have failed in my task...

Info on the tapes

I must admit that I have not listened to the tapes. However, the new movie "Crule Intentions" is based on this book. I have seen the movie and if the two are anything alike, I would highly recommend ordering them.