Lee Miller: Portraits from a Life

by Richard Calvocoressi, Hare David Calvocoressi Richard, David Hare

Book Overview

Lee Miller is possibly the 20th century's most famous female photographer. During her extraordinary life, she came into contact with a wide range of people including many of the most celebrated and influential artists, writers, actors, fashion designers and socialites of the last century. The photographs include not only Pablo Picasso, Max Ernst, Dora Maar, Igor Stravinsky, Henry Moore, Colette, Marlene Dietrich, Fred Astaire and a host of others,...

• Format: Paperback
• Language: English
• ISBN: 0500285225
• ISBN13: 9780500285220
• Release Date: January 2005
• Publisher: Thames & Hudson
• Length: 176 Pages
• Weight: 2.05 lbs.
• Dimensions: 0.6" x 8.6" x 10.7"

Customer Reviews

The world feels like Lee Millers family album

A photographically rich tapestry of lives, lives that were all rich in so many different ways.

A marvellous memento

Now that we have definitively entered into a troubled 21st century, I am developing a weird kind of nostalgia for the equally troubled previous one. This book, a marvellous memento of the period between 1930 and 1960, does everything to fuel this ambiguous attraction. With portraits of Chaplin, many of the leading Surrealists, Picasso, Stravinsky, T.S. Eliot, Dylan Thomas, Henry Moore and many others, Miller's twin eye Rolleiflex produces a very intimate view of the artistic scene in the middle of the 20th century. Some of the pictures were taken in the artist's studio, some in Miller's own studio, but most show the sitters informally and relaxed in mundane surroundings, weaving the mystery of artistic inspiration into the fabric of daily life. Whatever the context, Miller's portraits show the mark of a great artist, with composition, lighting and atmosphere invariably matched to the personality of the sitter. A great deal of her pictures are quite classical in conception, but many are spiced up with an occasional Surrealist wink. The war pictures are a different matter. When Miller registers the ravages of this savage conflict, irony makes way for tragic grandeur. For example, the portrait of a Nazi suicide, daughther of the Leipzig Mayor, reconnects with the dramatic clair obscur of Carravaggio. Many of the images of wrens and ordinary service men reveal the quiet determination of people amidst a whirlwind of extreme violence. One of the most impressive pictures of this period, and in a sense an untypical one, depicts a murdered German prison guard floating in a canal bounding the Dachau camp, producing a mixture of the bucolic and the tragic which is very moving. This book is beautifully produced and is a delight to hold in your hands. The captions that go with the pictures are well written and very informative. I would have wished for a more extensive lead essay by Richard Calvocoressi, but maybe we can find more information elsewhere. Pity also that the UK version of this book sports the Hein Heckroth portrait on its cover, which I do not find one of the most attractive pictures in this collection. But these minor quibbles do not detract for this valuable addition to my library.

A truly captivating, highly recommended gallery

Compiled and captioned by Richard Calvocoressi (Director of the Scottish National Gallery of Modern Art, Edinburgh), Lee Miller: Portraits from a Life is an amazing collection of memorable and visually impressive black-and-white photographs taken by the extraordinary fashion model and professional photographer Lee Miller, who began to study the craft of capturing life with a camera in Paris during 1929. A complete range of Lee Miller's moving and inspirational photographs is presented, with each with a brief caption offering a little background on the setting and people. A significant contribution to any personal, professional, academic, or community library Photography reference collection, Lee Miller: Portraits From A Life a truly captivating, highly recommended gallery showcasing the work of a very remarkable and talented woman.