Le Morte D'Arthur, vol 2

by Thomas Malory, Thomas Wright, Sir Thomas Malory

Book Overview

Excerpt from Le Morte Darthur, Vol. 1 of 4: The Book of King Arthur and of His Noble Knights of the Round Table

They departing so suddenly, he was wonderly wroth. Depart Then he called to him his privy council, and m haste told them of the sudden departing of the duke.

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This book is a reproduction...

• Format: Paperback
• Language: English
• ISBN: 1975614461
• ISBN13: 9781975614461
• Release Date: August 2017
• Publisher: Createspace Independent Publishing Platform
• Length: 456 Pages
• Weight: 1.33 lbs.
• Dimensions: 0.9" x 6.0" x 9.0"

Customer Reviews

Ian Myles Slater on: Caxton's Malory, Penguin and Others

Since reviews of entirely different editions seem doomed to appear together: This is a review of the two-volume edition of Sir Thomas Malory's "Le Morte D'Arthur" published by Penguin Books, edited by Janet Cowan, with an Introduction by John Lawlor. Originally part of the Penguin English Library (1969), it was later (1986) included in the Penguin Classics, in both the older, smaller (mass-market) Penguin format and the current, somewhat larger format; they all appear to be identical in contents. However, I will discuss other versions, notably the Modern Library, the Wordsworth Classics, and the old Everyman's Library editions. The Penguin edition is based primarily on the 1485 text printed by William Caxton. It is modernized in spelling, but not in grammar. Each volume has a glossary of proper names, and another of archaic words; the most difficult words are generally noted and translated at the foot of the page on which they appear. A small section of notes in each volume deal with some confusing passages, and identify places where Caxton's text has been emended -- usually from the "Winchester Manuscript," now in the British Library, discovered in a safe at Winchester College in 1934, after being mistakenly catalogued under the title of a 1634 printed edition. The manuscript differs from Caxton's text in thousands of places, mostly minor, but some very important. (There is now another set of editions, based primarily on the longer Winchester text; unfortunately, modernizations of that version are either abridged, or, in my opinion, more or less open rewritings, or both, like Keith Baines' "rendition" -- not to mention John Steinbeck's unfinished "Acts of King Arthur ...," which is a retelling as a modern novel. Two complete old-spelling editions of this second, longer, version, are in paperback, the Oxford Standard Authors original-spelling edition, as "Malory: Complete Works," followed by a recent Norton Critical Edition, as "Le Morte D'Arthur," on somewhat different lines. I have reviewed them together, under the "Complete Works" title; both are worthwhile, for readers willing and able to deal with them.) Among the readily available editions of the Caxton "Morte," the Penguin edition is my favorite; a judicious balance of modern, or regularized, spellings, clarifying punctuation, and short explanations, without distortion of the not-yet-quite-Modern English of the sentences. Although Lawlor's introduction is beginning to show its age (Malory's French and English sources are treated as evidence in a then-current critical debate), Janet Cowan's text remains exceptionally attractive. The two-volume format is easy to handle, but can be a bit of a nuisance; if you want the whole story, be sure to order both! It was Caxton, the pioneer of English printing, who assigned the title "The Death of Arthur" to a work which begins with Arthur's conception and birth, for reasons which he rather laboriously explained in a final colophon. (For tho

The breadbasket of medieval legends

LE MORTRE D'ARTHUR (The Death of Arthur) was written by Sir Thomas Malory while he was imprisoned for some number of years. It was one of the very first times that the Arthurian legend was penned in English. There were some older Latin fragments of the myth floating around, but it's thru Malory's account by which we know the stories most thoroughly. The most successful movie adaptation of the legend, EXCALIBUR, is based on elements taken from Malory's epic.As I struggled through Chaucer while in college, I've not yet gotten up the courage to read the original middle-English version of this work (my apologies to all of the English professors out there). Therefore, it is good that Mr. Keith Baines was kind enough to translate the middle-English into a more accessible lexicon for me & people like me. Baines reveals the myths and legends in all their glory, and I can't help but believe that he expresses them in at least some measure of their middle-English power.This is an ABSOLUTE must-read for all persons who have even a remote interest in the Arthurian fantasy. Although the book is abridged from the original, it nonetheless contains all of the most famous characters and episodes from the legend. Within these pages, one will encounter Arthur, Gwynevere, Sir Launcelot, Sir Galahad, Sir Modred, Sir Bors, Sir Percivale, Merlin and all the rest. The purity of Galahad is contrasted with the sinful nature & temporary madness of Launcelot. The memorable allegory of Sir Percivale's duel with Satan, as well as so many other knightly adventures, are all recorded for us here.This book is highly recommended to all fans of medieval times, medieval literature, the history of Great Britain and the idea of Chivalry. The codes of honor, the rules of fair play and the heroic ideals conceived by the knights of the middle-ages have followed us down thru the centuries and are still as relevant to the best of us today as they were 500-1500 years ago. The story ends with one of the most memorable Latin phrases in literary history:HIC IACET ARTHURUS, REX QUONDAM REXQUE FUTURUS[Here lies King Arthur, the once and future King]Now for the details, open up the book!

Engrossing! Worth the effort it took to read! Excellent!!!

Where do I begin? Watching the film Excalibur inspired me to try to track down this book. I found out shortly after that day of this edition. Boy am I glad I did. The illustrations, whether in color or black and white are absolutely beautiful and vivid. They transport you expertly in your mind to the place being depicted in the image. When I first opened this book I was reminded in a way of reading Scripture almost. This is VERY old English folks, but PLEASE do not let that deter you. It only takes a little while to get used to the wording and you can soon begin to appreciate the "flavor" of, and get lost in the world of this book. To me this is the quintessential story of ideals, one man's dream as he wanted to affect the world for the better, and the problems, trials, and triumphs in his trying to make that dream a reality. It has EVERYTHING. Chivalry, love, honor, family, friendship, conflict, malice, trust, betrayal, and spice too. There is something in here that will surely delight everyone. Just give yourself time to get used to the wording of the text. A glossary is provided for this purpose in the back of the book as well. I loved this text partly BECAUSE of the way it was written, it did not "modernize" or "dumb down" the words. The "flavor" is ancient, noble-sounding, and captivating. It MADE me want to slow down and actually READ this thing, to ABSORB the text and story, the world and the people that live in it. If STAR WARS is a trip to a galaxy far far away, this is a voyage to a past rich in ideals, ideas, and passions of the human heart and soul that seem to have grown either cold, taken for granted, or simply and quite sadly, forgotten in this modern age.Again...please do NOT be turned off by the archaic writing style. Kick back, open the book, and let it carry you away to a world of romance, beauty, adventure, and passion that has seldom, if ever been equalled in our time. I fell in love with this work, and I think you will too... it can put a spell on you... and draw you into a world that you may wish you never had to leave. Even when you close the book, the allure and beauty and romance of this work just may stay imprinted on your heart forever.

Outstanding New Edition of Malory's Work

"Le Morte D'Arthur" comes at a turning point in English literature. It is both a summation of the courtly legend and lore of the Medieval world and indicator of literary times to come. Not quite a novel, not quite a collection of tales, not quite an exemplar of etiquette and ethics, it was still one of the great creative accomplishments of the 15th century. Countless generations of writers, poets and artists and felt its influence.Unfortunately, my memories of Malory's work are tainted by my memories of the difficulties of reading the book. In college I was sentenced to reading small paperback editions with tiny, cramped print. It was never possible to settle into the task for more than a short time without feeling a headache coming on. As a result my impression of the book was that it was both interesting and impenetrable. It was with great relief that I went on to other classes and texts.Lately, I found I needed a copy of `Le Morte D'Arthur" again, and in reviewing the available editions discovered this new edition, edited by John Matthews and illustrated by Anna-Marie Ferguson. When it arrived, I was amazed and delighted.Academically the edition is much as one would expect. It is basically a reprint of a Medici Society version of the Caxton original. Matthews has corrected some spelling problems. He has also silently interpolated some snippets of the manuscript version (some 20 total) where these make the narrative clearer. It is unfortunate that he did not document these additions to prevent scholastic confusion, but he did not wish to break up the narrative with footnotes. I have found several of the changes and they all make the sense better. There is a forward by fantasy writer Michael Moorcock, a very informative and readable introduction by Matthews, and a short piece on the illustrations by Anna-Marie Ferguson.It is the physical presentation of this edition that makes it extraordinary. The book is quite thick, very well bound with a heavily coated slip cover. The paper is well made and heavy enough to prevent the print through that can hinder readability in books with dense printing. The type font is glorious. Large and simple enough to be easily readable. This makes it possible to easily pick out the sense and structure without having to squint at every word. I found the text more readable than some of the efforts at modernization I have encountered.Finally, the illustrations. These are plentiful, 62 in all, half of them in color. Ferguson has a fine detailed style with both watercolor brush and pen. They have pleasant dreamlike quality that arises from her masterly use of light. These are not mere illustrations, rather, the artist has made them invitations to consider the world of King Arthur. In summary, this is a welcome new addition to the Malory canon, and one well worth owning.

Fie on thee that readeth not these tales!

I don't read a lot. In fact, the only time I do read is when I am required to do so by a class. Such is the case with The Tales of King Arthur. But although I would never have read the book were it not for my fascinating English teacher, I must say that I have never read anything as intriguing as the Tales of King Arthur.Getting used to the language isn't as difficult as some other reviewers are saying... At least it wasn't for me (and I'm an eighteen year-old high school student). You'll struggle through the first few pages but once you've got an ear for it the language comes natural (somewhat like reading Shakespeare - it takes time to adjust). I found nothing tedious about the book other than the somewhat unfocussed book of the Sangrail.The characters are awesome, the language is awesome, the plots and emotions are awesome. If you read this from beginning to end you'll walk away with a sincere compassion for the characters and the inevitable death of the times.I can't imagine bothering with a modernized version - the classic text is just so sweet.