"Let's just say that Giacometti was setting out to draw a face. If he started with the chin, he would worry that he might never reach the nose. The longer he sketched the face, the harder he tried to offer a faithful representation of it, the more it resembled a skull. The only thing left was the gaze. So what he ended up drawing was a skull with a gaze." Landscape with Dog and Other Stories is made up of countless such moments: transformations of...