Jean-Luc Godard's early films proved the adage that all you need to make a movie is "a girl and a gun." Whether in crime thrillers like the era-defining A Bout de Souffle (1960) or philosophical science-fiction masterworks like Alphaville (1965), the Nouvelle Vague auteur alternated between romance and action. The violence that peppers Godard's early films seems 'muted', however, prompting this exhaustive study of the director's techniques for depicting...