It's 2025. Massive wildfires have engulfed the southwestern U.S. Society has come apart at the seams. Armed with a crossbow, Mike Wade roams the dystopian deserts in search of his captive daughter Kara. The narrative proceeds in four stages: The Road, The River, The Desert, The Sea.
The problem for Michael Wade and his family is that his daughter Kara had been taking a year of college abroad in Mexico to specialize in Spanish. She hasn't been able to make it home, and Wade has set off from Vermont by train and on foot, with his backpack and essentials, including a crossbow, to rescue her.
Along the way he joins other refugees on his treacherous journey to the Southwest, including Phoebe Tate, a funky young lady who made jewelry in the desert, Wiley James, a trucker from Wyoming who was forced to abandon his rig, and Jonesy, a riverboat captain who takes them down the Colorado River.
Society has broken down; there is no broadcast news from the West anymore, just quasi El Presidente's propaganda and creepily soothing explanations for everything. Only the trains run here and there; oil production and imports have slowed to a trickle. Most people don't have fuel and the train system has been left intact to provide the regime with its necessities.
Wade only knows that his last communication from Kara came from Sierra Vista in southern Arizona. He'll have to get there by whichever way he can, by river and desert.
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