A Journal of the Plague Year: Being Observations or Memorials of the Most Remarkable Occurrences, As Well Public as Private, Which Happened in London ... Great Visitation in 1665 (Penguin Classics)

by Daniel Defoe

Book Overview

'The most reliable and comprehensive account of the Great Plague that we possess' Anthony Burgess In 1665 the plague swept through London, claiming over 97,000 lives. Daniel Defoe was just five at the... This description may be from another edition of this product.

• Format: Paperback
• Language: English
• ISBN: 0140430156
• Release Date: November 1966
• Publisher: Penguin Classics
• Length: 256 Pages
• Weight: 0.36 lbs.
• Dimensions: 7.8" x 0.6" x 5.1"

Customer Reviews

Why Teens Should Read This

1.Defoe is fascinating biography subject: Ian Watt remarked that Defoe "was a hard man who led a hard life: raised as a Dissenter in the London of the Great Plague and Great Fire; enduring Newgate prison and the pillory in bankrupt middle age; working as a secret agent and a scandalous journalist until imprisoned again for debt and treason. Defoe died old, and so may be accounted as a survivor, but he had endured a good share of reality, and his novels reflect that endurance." 2. Observing and personalizing "real world" problems can inspire you to read and enjoy related literature. Thank G-d the H1N1 Flu causes mild to moderate symptoms despite its fierce contagiousness. However, I'm sure most of your mothers and others have made anxiety ridden phone calls to the pediatrician. We live in a Global Village. How long is it before one rural Chinese farmer falls ill and China Air cancels flights out of Beijing. Even the Plague, today having a mere 15% mortality rate down from the Medieval high of 75% can still wreak havoc. And it is a fact that the recent completion of the Kinshasa Highway enabled the transmission of AIDS epidemic throughout Africa. Is it so far-fetched?Someone collapses in Cape Town, schools close across Europe, ports are inspected along the Atlantic shore, riots break out surrounding Kaiser-Permanente, Japanese civilians receive face masks from their government... DeFoe's London is a microcosm of our world. 3. In order for you to like reading, you have to be exposed to a variety of genres to help discover your own interests. The Journal of the Plague Year is a great introduction to Historical Fiction, or even Literary Journalism-- even if it was written so early that the genre would not yet be coined for a few hundred years. After all, Defoe is credited with being one of the earliest innovators of the novel itself. I personally love the genre, it makes me fell like I'm time traveling, sans jet lag. Historical fiction by the way, is also popular genre for mini-series, HBO is particularly good for shows like Deadwood, Rome, John Adams, and The Tudors.

A credible account of a time of horror

The Great Plague took place when Defoe was five years old. Therefore his account written many years afterwards is as much fiction as eye-witness reporting. Yet his first- person narrator collects statistics and provides a credible account of the horrifying effect of the plague upon the citizens of London. He relates the effects of the 'Plague' on various parts of the population and traces its develoment in time. One can sense in it how much Camus in writing his great work , " The Plague" is indebted to this work. In the concluding days as the Plague wanes Defoe reflects upon the citizens of the city and their new reality. This is the concluding section of the work, and gives an excellent feel of Defoe's language and narrative stance. "It was now, as I said before, the people had cast off all apprehensions, and that too fast; indeed we were no more afraid now to pass by a man with a white cap upon his head, or with a doth wrapt round his neck, or with his leg limping, occasioned by the sores in his groin, all which were frightful to the last degree, but the week before. But now the street was full of them, and these poor recovering creatures, give them their due, appeared very sensible of their unexpected deliverance; and I should wrong them very much if I should not acknowledge that I believe many of them were really thankful. But I must own that, for the generality of the people, it might too justly be said of them as was said of the children of Israel after their being delivered from the host of Pharaoh, when they passed the Red Sea, and looked back and saw the Egyptians overwhelmed in the water: viz., that they sang His praise, but they soon forgot His works. I can go no farther here. I should be counted censorious, and perhaps unjust, if I should enter into the unpleasing work of reflecting, whatever cause there was for it, upon the unthankfulness and return of all manner of wickedness among us, which I was so much an eye-witness of myself. I shall conclude the account of this calamitous year therefore with a coarse but sincere stanza of my own, which I placed at the end of my ordinary memorandums the same year they were written:- A dreadful plague in London was In the year sixty-five, Which swept an hundred thousand souls Away; yet I alive!"

Brilliant, mesmerizing

Well, it's not really clear that Defoe used actual accounts, though he did draw on much discussion about the Great Plague. He was, after all, only five or six years old when it occured. But the narrative is utterly absorbing. Written by one of the greatest novelists of all time (he was Joyce's favorite English novelist), the narrative is vivid, moving, and sometimes hilarious. It is also remarkably contemporary. You meet quacks and prophets disturbingly similar to the no-nothings who dominate our own time. The descriptions of behavior, disease, fear, and denial are as fresh today, and as relevant, as they were when Defoe wrote the Journal. Don't miss it!

A stunning blend of fact and imagination.

Defoe has pulled off something brilliant here. Although he was only 5 years old in 1665 (the year of the title), in 1720 he set down a narrative full of rich details blending fact and imagination. The thoroughness of his descriptions and the constant realism come close to convincing you that these are first-hand observations: but these are *not* first hand observations; his narrator is a fiction, recalling events he saw as an adult. The persuasiveness of Defoe's fiction comes from his specificity, and little comments suggesting the narrator has an additional life outside the Journal. He mentions not only the dead (and the increasing losses), but the quacks taking advantage of the gullible, the quarantining of infected houses, the marks on the doors, the efforts to escape from quarantined houses, the efforts of the mayor's offfice to limit the spread of infection, and the public pits where the bodies were thrown. And so on into the facets of everyday life. Through it all, his portrayal of the narrator also has a personal richness, a consistent first-person perspective; the conceit is reinforced by insertions such as "what I wrote of my private meditations I reserve for private use, and desire it may not be made public on any account whatever." The narrator is a product of Defoe's imagination, of course, and similarly, any private meditations such a narrator would have. But Defoe has cleverly made the narrator real.

Droped my periodicals and read the whole book at once!

Nowadays virtually nobody is very well conversent about the plague. After the grim glow of Bocaccio's introduction to his Decamerone (1348), Daniel Defoe gives us a total view of the devastating disaster of London (1665). A lesson of humility for every medical doctor and his patients