Among the Mexican muralists working in this country during the 1920s and 1930s, including the giants Diego Rivera and David Alfaro Siqueiros, the paintings of Jos? Clemente Orozco are arguably the strongest and most politically charged. This important and profusely illustrated volume is proof. From his first commission, Prometheus, at Pamona College and his highly political work at the New School for Social Research in New York to what some feel is...