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Paperback Original Sins Book

ISBN: 1563890526

ISBN13: 9781563890529

These stories are the first nine in a monthly comic-book series, under the title Hellblazer. They detail the adventures of one John Constantine an insouciant, somewhat amoral occult dabbler and... This description may be from another edition of this product.

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Format: Paperback

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Customer Reviews

5 ratings

A Fantastic Read

A definate must for any Constantine fan. We all know he can handle himself around the forces of Hell but in Family Man John must deal with humanity.

jamie delano knows constantine

"The devil you know" collects the issues 10-13 and the first annuals of this series. Constantine is arrogant, tortured, and alone, and Jamie's writing deepens those feelings as we walk with Constantine in a Margret Thatcher England. Reminicient of V for Vendetta in how the future England may be, this tpb is truly a horror comic. Antartica is one of the most desturbing stories I have ever read. I personally liked how the different stories had different artists, its like the Sandman, each artist brings something new to the charcter. The opening imagery for "sex and death" is phenomenal. There are a some weak stories, (venus of the hardsell) but overall, some of the best writing and art this series has ever had.

Politically aware horror comic

With the new film soon out I thought that I should defend this comic book. I fear that the film will remove everything that is good, which is not unusual for Hollywood anyway! First of all I have serious doubts about Keanu Reeves as Constantine. Why not Jude Law? John Constantine, is a punk-gothic anti-hero. He has a conscience, but it is hidden behind too much cynicism, alcohol, and tobacco. He has seen too much. His world is not the cosy world of nine-to-five jobs, or simple cause and effect. He is a mage, albeit a minor one. In the comics he is first and foremost a facilitator. He is one of the few that can move freely in both 'normal' and supernatural society. Of course, that leaves a twisted mind. What really made this comic stand how it delivered its political message. All stories in this collection are very political, but they deliver their message in a very allegorical form. They chill me out because they capture so well the atmosphere of the 1980s, or the 2000s for that matter! The portray a spiritual poverty that opens up doors for forces both from heaven and hell to enter and exploit. Some stories deal with the people that are just out to make money, other, more frightening stories, deal with the forces of hell and heaven that are trying to take over our daily lives. Yuppies are created by demons from hell and satan worshippers sacrifice runaway children. By far the most dangerous threat is posed by the well-organised and fanatical christian fundamentalists. Try the truly shocking story "When Johnny comes marching home" which deals with the scars left by the Vietnam war on the US. This is my favourite since it really transcends the classical horror genre and creates something truly new. It is not rotting corpses coming back - it is something so much worse that comes back... The drawings can be very evocative, capturing extremely well the grime and filth of industrial England. Sometimes they are bland, but sometimes they are extremely evocative and powerful. I just want to add that this review is for the first book only; the other ones are not half as good. John Constantine is also a minor character in the comics Swamp Thing, Books of Magic, and Sandman.

Greatest EVer

I loved it. Every word. It is moving and exciting., Dramatic yet dark. perfect

Constantine and Creatures

Excellent excellent read. I came across it while plumbing through the DC/Vertigo titles and have greatly enjoyed the entire series.This is a THICK book and full of the old stories that were printed years ago. But if you're a graphic novel fan (as opposed to comic books), you proably haven't seen these. The one about "Yuppie Soul Brokers From Hell" is especially fun.Between this and the Sandman series, I've been very impressed by the quality of the genre.
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