In the Groove: Vintage Record Graphics 1940-1960

by Eric Kohler

Book Overview

What the much-admired Blue Note: The Album Cover Art and Blue Note 2 did for jazz, In the Groove does for the sounds of the '40s and '50s, when swing and bebop took off. Selected for their noteworthy... This description may be from another edition of this product.

• Format: Paperback
• Language: English
• ISBN: 0811821218
• ISBN13: 9780811821216
• Release Date: April 1999
• Publisher: Chronicle Books
• Length: 132 Pages
• Weight: 1.35 lbs.
• Dimensions: 0.5" x 9.3" x 9.3"

Customer Reviews

Sound pictures.

Mr Kohler presents two hundred and fifty covers (from his large collection) which he rightly thinks show the best of album design in the early years of the LP. He features eight artist/designers who created some of the most distinctive work in cover art. Two of them are my favorites, David Stone Martin who gave Norman Granz's Clef label some beautiful cover illustrations (twenty are shown) and Reid Miles who created the east coast look to Blue Note Records. Unfortunately only four of his covers are shown but you can see dozens more in the two books by Graham Marsh: The Cover Art of Blue Note Records and The Cover Art of Blue Note Records, Vol.2. The other six designers range from the unique illustrations of RCA's Jim Flora to the work of Swiss born designer Erik Nitsche and his semi abstract work for Decca. Record companies are also featured and you can see the beginnings of the Capitol Records house style, I think they were the only major company to produce consistently well designed covers with excellent photography and typography. Though all these covers are interesting to look at I don't think too many work as complete design units, that is image and text complement each other, mostly they are images with text added later. One cover that I like is on page eighty-one, it shows a file-card box and the albums title, 'Guide to Jazz' is typed on a card which is resting against the box, the tabs of the other cards have musical instruments on them, a simple creative idea that works. Strangely the designer is unknown. I doubt you will see as good a coverage of the early years of the LP as this (well produced) book but have a look at this title that concentrates on jazz covers from the fifties and sixties, Jazz West Coast: Artwork of Pacific Jazz Records. It has dozens of examples of creativity on paper twelve inches square, somehow CD covers just can't compete with that. ***FOR AN INSIDE LOOK click 'customer image' under the cover.

"Groove"y Covers

Being a music lover, I've never been partial to one type of music only--I have a passion for everything from rock to classical, pop to country, even from jazz to techno. Something in all of these styles intrigues me. And how intriguing is this incredible book by Eric Kohler. I never thought I'd "get into" a book dedicated solely to album covers from 1940-1960, but I was wrong. The music lover in me kicked in, and I found myself fascinated with the glorious color photos, the revealing and well-researched text, and with the artists themselves. This album cover artistry really has diminished with the advent of the much-smaller compact disc (which is a truly disappointing fact), but Mr. Kohler's book rapturously captures the vividness of the times, the artists, the moods, and the music of those two decades. It took me back to the time when I myself used to stare at the covers of my records for hours while playing them over and over again - this classic book uncovers that wonderful feeling inside you once more. And to top it all off, Mr. Tony Bennett himself writes an introduction that's both classy and sentimental. This is a great book for any music lover with a coffee table -- and an open mind towards how art has influenced music (and vice versa) in so many ways.

Long, lost days of style.

As a graphic designer, I get so flustered when I see the same old CD covers now: a photo of the artist or band, and their name scribbled on top, or a really un-inspired text treatment, most likely using some wretched Photoshop tool like, alien skin or eye candy- blech! Perhaps modern day CD's skimp on the design work of the covers because they are so much smaller now. But back in the days of LP's and 45's art was generously splashed on covers. Full-colored, stylized and oh, so hip! Each one fit to be framed and displayed. "In the Groove: Vintage Record Graphics, 1940-1960" effectively chronicles the history of this long, lost art-form in a picture-book style. I say picture-book, because of the lack of background information on many of the pieces, in fact there are quite a few pieces that are listed as "unknown designer", how unfortunate! Some poor old designer dedicated his or her life to creating some stunning art to attract music lovers' eyes to this or that particular record, and now they're the "unknown designer". Eric Kohler did his best grouping together styles of record graphics, so seeing the evolution of style was very nicely mapped-out. Nice quality paper, nice printing... would've been nicer in hardback. Still, this is one of my favorite books!

Cool Collection of overlooked medium

I liked this book so much that I bought a copy for my record-collecting boyfriend and a DJ friend with a varied and ecclectic vinyl collection. When I thought of record cover art, I thought of those fantasy-styled "YES" covers, or the metal band covers of the 80's. I had no idea about how many cool vintage record covers were out there. The book focuses on covers from 1940-1960. You'll find many jazz, swing and vocalists represented here. The reproductions are excellent and the variety is impressive. While most covers are reproduced in 3x3inches, quite a few are refresented as full pages which is about a 9-inch square. It is organized by artist and record company, showing you how the artist's style influenced the cover. I highly recommend it for record collectors, vintage enthusiasts, graphic designers/illustrators and those who love old things. It made me miss the 12-inch vinyl covers all the more and has inspired me to track specific albums down. CDs can never match the emotional connection that vinyl did.

A must for era-based designers!

Originally, I bought this book because it promoted not only well-known musicians but also the lesser known. I find the content extremely fascinating and it continues to inspire me with poster and music-related designs for limited genres and think this book would be an incredible source for inspiration to those who are interested in borrowing similar styles to the ones documented. I was interested in not only the musicians in this book but also impressed by the some of the summaries written about the album covers. I'd also find it useful to consult even if I only came across a few projects in my life where it was required to use era-based designs. It gave me a newfound respect for the designers of those days who didn't have computers and unlimited photography to work with, and I found Eric Kohler had an ability to write subjectively about the designs shown. I think it's an excellent tool if used only for reminding readers about the true influence of art and its trends, as well as the styles and sophistication society empowered in the generation. Overall, I thoroughly enjoyed this book, found it quite successful in re-educating my inspirational process and have still yet many friends to whom I plan on recommending this book, who will definitely find it just as inspiring and well documented as myself!