In My Father's House: Africa in the Philosophy of Culture

by Kwame Anthony Appiah

Book Overview

The beating of Rodney King and the resulting riots in South Central Los Angeles. The violent clash between Hasidim and African-Americans in Crown Heights. The boats of Haitian refugees being turned... This description may be from another edition of this product.

• Format: Paperback
• Language: English
• ISBN: 0195068521
• Release Date: May 1993
• Publisher: Oxford University Press
• Length: 256 Pages
• Weight: 0.80 lbs.
• Dimensions: 6.1" x 0.7" x 9.2"

Customer Reviews

Identity ,Solidarity, and the Dilemmas of Modern Africa

Modern Africans find themselves at the juncture of several worlds: As Basil Davidson might have noted, revolution, episodic nationalism, and postcolonial debacles have cast a pall of chaos onto an already historically chaotic field of peoples. The philosophies of Europe, the roots of tradition, African nationalism, Pan-Africanism, racial, tribal and ethnic solidarity, and a modernity which seeks to unleash individualism all come into conflict when Africans attempt to assess the problems they face, and detail solutions for these problems. Kwame Antony Appiah calls African thinkers to take up this important work, and he offers several assessments of these problems and possible solutions in his book. He believes that a better basis for solidarity in Africa is needed to replace decaying philosophies of negritude, and he discredits Pan Africanism's ability to fulfill this role. He addresses the question of what African philosophers should be preoccupied with, and whether, in their seeking to establish, unify, or recreate cultures, African philosophers can really draw upon philosophies and identities unique to Africa. The importance of an "African" identity has emerged since colonialism, and Appiah questions what such an identity should be founded upon, using Wole Soyinka and his own father Joseph Appiah as examples of intellectuals at work on the question.After a reading of Appiah's book, I question whether an African solidarity can be usefully articulated. Can inclusive, constructive and accessible modern culture be derived in a continent-wide scale, with some collective experience as its sourcebook? Perhaps the question rides on whether tradition is truly expendable, although so far it has apparently not been expendable (although it has proven malleable). Appiah's arguments in favor of reexamining what it means to be African, while he has labored to disassociate them from the Pan-Africanist agenda, seem unsure on the issue of Pan Africanist hopes. Pan Africanism, whether informal or economic, seems more than mired in implied racialism - it seems to ignore the idea that there is a need for modern African nations to promote overture to the world, rather than aggrandized protectionism, which invariable carries with it repressive nationalist agendas. The reality is that Africa is dependent upon its ties to the rest of the world. I believe that Appiah would argue that any "Africanism" is not useful as a method of affirming culture, either, precisely because to be simply "an African" implies such a tremendous negation of one's own past. I still want to know if Soyinka has also successfully divorced himself from a bogus Pan-Africanist and unianimist use of an "African" culture in his metaphors and references. Does he somehow successfully escape from the confines of this label with his individual-focused explorations (which are thus really Nigerian, or Yoruban?) Also, how usefully can a philosophical agenda be furthered by an intellectual class focused o

Remarkably astute

Appiah's book is insightful and powerful. His mastery of language allows for a philosophical chef d'oeuvre that reads with fluency comparable to a fine novel. Appiah's unique perspective as a quintessentially modern academic whose own life has bridged gaps between three continents imbues his writing with a freshness that will captivate any fine intellect. Truly a remarkable work.