In Ashes Lie

by Marie Brennan

Book Overview

The year is 1666. The King and Parliament vie for power, fighting one another with politics and armies alike. Below, the faerie court has enemies of its own. The old ways are breaking down, and no one... This description may be from another edition of this product.

• Format: Paperback
• Language: English
• ISBN: 031602032X
• ISBN13: 9780316020329
• Release Date: June 2009
• Publisher: Orbit
• Length: 438 Pages
• Weight: 0.95 lbs.
• Dimensions: 1.2" x 5.4" x 8.1"

Customer Reviews

Another Win for Marie Brennan

While perhaps not as good as the first novel in this setting, In Ashes Lie was still a beautiful and at times touching romp through old London, and the respect that Brennan pays history is quite a relief. I have never studied this particular time period much, but it was obvious that a great deal of research went into the work, and at the same time, she does not bog you down with irrelevance. Excellent book.

(4.5) The saga of the Onyx Court continues

_In Ashes Lie_ continues the story of the Onyx Court, a faerie city situated just below London, and the Court's dealings with London's mortals. Lune, who became queen of the Onyx Court in Midnight Never Come, reigns still. Her mortal consort, Michael Deven, is long dead. Lune has chosen another man to act as her official consort and liaison with the mortal world, but the role is political only. _In Ashes Lie_ follows Lune and her allies through the end of Charles I's troubled reign, Oliver Cromwell's rise to power, and the eventual restoration of the monarchy. Running alongside this mortal politicking, dangerous plots are afoot in the faerie court. As you might guess by the novel's title, the climactic events take place during the Great Fire of 1666, which threatens to destroy both London and the Onyx Court. Like _Midnight Never Come_, _In Ashes Lie_ gets off to a slowish start. Marie Brennan takes her time moving all of her pieces into place. When all hell does break loose, though, it's as exciting as anyone could wish, and made all the more effective by the careful, deliberate buildup of events. This is, first and foremost, a story about power: its uses and misuses. It becomes clear early in the novel that Lune has been changed by her years on the throne, by the tough decisions that a ruler must make. The events of _In Ashes Lie_ test her further, and there are a few questions always on Lune's mind and the reader's: When should justice be tempered by mercy? Should the fae meddle in mortal affairs, and if so, how? Can Lune avoid becoming as ruthless as her predecessor, Invidiana? Readers looking for romance will not find it here. If _In Ashes Lie_ is a love story, it's a love story between Lune and her kingdom, and between her mortal friends and the city of London. It's a beautiful and touching story, too. It's just not what you may be expecting if you seek another Lune/Deven plotline. I'd be remiss if I didn't also mention Brennan's prose, just as restrained and elegant as before. And the only real peeve I had in _Midnight Never Come_ has been remedied here: there's a map of London in the front of the book, along with a Dramatis Personae for those moments when you can't remember who is lord of what. Recommended, with the caveat that you'll probably want to read _Midnight Never Come_ first. _In Ashes Lie_ stands on its own plotwise, but there are many references to people and events past. The characters' history weighs heavily on them, and you'll get more out of the story if you are familiar with that history.

outstanding historical fantasy

In this sequel to the excellent _Midnight Never Come_, Brennan moves forward from the end of the Elizabethan era to the middle of the seventeenth century. As the book begins, the Great Fire of London is just starting, and humans and fae alike are battling its flames. But it isn't just the fire that threatens: Brennan flashes back to earlier in the century, when King Charles I fought with politics and soldiers against the Roundheads, and Queen Lune of the fae Onyx Court struggles for her throne as well. _In Ashes Lie_ has all the excellent historical detail and folklore of _Midnight Never Come_, and similarly good portraits of its historical characters and its fictional ones. I missed some of the emotional immediacy provided by the romance in _Midnight Never Come_, but the romance isn't just forgotten here; Lune still remembers and grieves for her human lover, who isn't simply forgotten as the immortal court lives past him. The flashback structure is well handled, and the plot is especially dexterously woven into the threads of history. I liked _In Ashes Lie_ even more than Midnight Never Come_, and I definitely look forward to the next book, which Brennan calls "an Enlightenment faerie alchemical fantasy".

superb historical urban fantasy

In 1666 having survived the Great Plague of last year, England is now wracked by civil war as King Charles II and the Parliament battle over who is in charge. Underneath, ironically the faerie Onyx Court faces an uncertain future as the Ancient ways that have sustained them for ages is ripping apart. In London a baker Thomas Farynor has banked the fires of his ovens to go sleep. While he is sleeping, a spark escapes turning London into an inferno. He and his daughter Hanna flee into the night. At the same that the city is burning down, another threat has arisen to both the human and Fae occupants of greater London. This annihilator destroys anything in its path; to survive and perhaps defeat this invincible foe, the mortals and the fairies must unite, but neither side trusts the other. Based on the real event of the Great Fire of 1666, IN ASHES LIE is a superb historical urban fantasy that grips readers who will feel transported back in time due to the vivid atmosphere that makes the seventeenth century human and Fae London seem alive and real. The story line is fast-paced as a deadly inferno threatens the mortal Londoners and an even deadlier malevolence threatens both species. Sub-genre fans will relish this exhilarating Restoration Era thriller and seek its prequel (see the Elizabethan Era MIDNIGHT NEVER COMES). Harriet Klausner