Felipe Pereda reconstructs the history of religious art in Spain between two crucial dates in the politics of the image enforced by the Reyes Catolicos: 1478 and 1501. By focusing first on Seville, then on Granada Pereda evokes the first moments of the institution of the Santo Oficio and its later developments. In both cities, the local authorities had established the obligation for citizens to keep religious images within their houses. In Seville,...