Ill Met by Moonlight: 7

by Sarah A. Hoyt

Book Overview

When young schoolmaster Will Shakespeare finds elves have stolen his wife and infant daughter, he must wend through the tangled affairs of the descendants of Titania and Oberon. The experience will... This description may be from another edition of this product.

• Format: Mass Market Paperback
• Language: English
• ISBN: 0441009832
• ISBN13: 9780441009831
• Release Date: September 2002
• Publisher: Ace Books
• Length: 304 Pages
• Weight: 0.38 lbs.
• Dimensions: 0.8" x 4.3" x 6.8"

Customer Reviews

An aural pleasure

This is a fabulous audio. Sara Hoyt manages something that I didn't think was possible. A new view of the life an work of William Shakespeare. She brings him together with the world of the Fae and it makes for a surprisingly good fit. Jason Carter is best known for acting in the television series Babylon 5. Who would have guessed that he could bring this world to life ? He does it with gusto and as he speaks I can hear a your Will longing for his love. A faerie princeling in the throws of plots, politics and adolescence. A woman who is thrust into terrible choices. And that's just the beginning.

Quicksilver!

To tell the truth I probably would've walked by the display of "Ill met by moonlight" in a bookstore, ignoring its colourful cover or flashing title. Fantasy and fairy tales are not really my cup of tea. However, it was the prospect of listening to audio book version read by Jason Carter that made me buy the tale. Fans do some crazy stuff that is for sure. Now, after listening to eight hours of adventure, love and magic, I have to admit that I would've truly missed a fantastic novel if I hadn't bought it when I did. The first few minutes, the prologue to be exact, sounded strange to my ears. Then the story started and I was pulled into the magical world of Will Shakespeare and Prince Quicksilver. English is not my first language so I have to say that I did not understand all words of this very colourful story. I learned to love and hate the characters and when the story moved on I was eager to see what would happen in the next scene, the next paragraph, yes, the next sentence. I fell in love with Quicksilver just as Lady Ariel did - and yet hoped for the dark Lady Silver to show Will the pleasures of love and passion. Sometimes my breath would catch in my throat when the unexpected happened. The Hunter's evil herd of wolves, or Will's attempt to capture Lady Silver by iron chains made me gasp in surprise and I hoped and feared for my favourite character. In the end I was sad that the tale ended so soon but it was a good end, a happy end of a fairy tale. This was only the second audio book I've ever "read". I was very pleased with the reading by Jason Carter who breathed vivid life into each character.

An Instant Classic!

It's easy to see why this was one of the featured books ... Hoyt's obviously well-researched debut drops you into Will Shakespeare's world so convincingly that you'll swear she talked to the Bard personally before penning this tale.Under Hoyt's deft hand (and an impressive knowledge of Elizabethan language that she's modified just enough for us 21st-century English speakers to understand without translation, yet retains the feel of the period), a seemingly straightforward plots turns deliciously labyrinthine enough to make the Bard smile with delight.Using the style of the play Romeo and Juliet, Hoyt's mysterious narrator starts the recipe, setting the scene before us while trying to staunch a bleeding eye (I believe this is a literary reference, which, if I understand correctly from Hoyt's website, she'll realize more fully in the sequel to this book), then Hoyt adds to each scene a short playbook narrative before getting into the action. (BTW, I found excerpt chapters of this book on her web site, sarahahoyt.com) She mixes in a plot using characters and the fairy world derived from A Midsummer Night's Dream, then ices the confection with fairy court intrigues and personalities that mirror the Elizabethan court in the real world.Shakespeare himself participates in the fun, getting romantically involved with a Dark Lady fairy who oscillates at will between her female aspect and that of a Fair Boy, Quicksilver, who befriends Will (platonically, of course) even as he embroils Will in a plot to gain the fairy throne from his usurping brother. I love Shakespeare, and I was delighted to find numerous quotes from his plays peppering Hoyt's book. I even found quite a few that I _thought_ were Shakespeare, but didn't show up in my searchable Shakespeare database.This is one of the best books I've read in years, destined to be a classic both well-loved by readers and included in literature classes for years to come, but I hesitate to compare it to other classics in the field (and out of it), because Hoyt's work reads with such an original voice. I got the strong impression reading this book that I'd just witnessed the birth of one of the great writers of the 21st century.(Other recommendations: Bridge of Birds +sequels, Barry Hughart; Roman Blood +sequels, Steven Saylor; Doomsday Book, To Say Nothing of the Dog, Lincoln's Dreams, Connie Willis; Lord Meren books, Lynda Robinson; Fire & Hemlock, Diana Wynne Jones; Small Gods, Terry Pratchett)

A wonderful tale worthy of the Bard

Take a story that has a poor man's wife and daughter kidnapped, the mysterious death of a monarch, the rightful heir passed over due to a physical abnormality, twist them and entwine them together, and you'd have a pretty good story. Now, make the poor man none other than a young William Shakespeare, living in Stratford prior to his ascension in London. The murdered monarchs turn out to be King Oberon and Queen Titania of the fairy people. The abnormality of the rightful heir Quicksilver turns out to be the ability to shape-shift between two aspects of himself, a quality that his brother Sylvanus exploits to become the king. Now mix up these elements and you'd swear that Sarah Hoyt had three witches stirring a brew and speaking cryptic riddles in her office when she wrote "Ill Met By Moonlight".In this well crafted novel we meet young Will Shakespeare, before he went to London, and before he wrote his first play. Earning a meager wage as a teacher, he lives with his wife Anne and infant daughter Susannah in a small house on his father's lot. His simple life is broken apart when he returns home one night to find his family gone. In trying to locate them Will finds that Sylvanus has taken them to the fairy palace so Anne can be wet nurse for Sylvanus' daughter whose human mother has recently died. Quicksilver in turn discovers Will, and embroils him in a plot to regain his throne that forces Will to eventually fight the powerful magic of Sylvanus not only for his family, but for his life. Hoyt's use of language not only provides the images of the places and participants, but also the feeling of the setting as it must have appeared during Shakespeare's life. She seamlessly blends the real world with that of fairy as Will moves between the two worlds to find his family, and discovers that there may be more for him in life than his role as a humble teacher. Working to stay true to what is known of Shakespeare's early life, she weaves a story full of court intrigue, mysterious deaths, and hidden motivations that introduce many character types that show up in various later plays by the as yet still mortal bard.Written for readers of the twenty-first century, using characters and locations from the sixteenth, "Ill Met By Moonlight" is an excellent tale of heroism, conspiracy, and the search for justice. A story that would be worthy of stage presentation in five acts, if such were still being written today.

An Original and Wonderful Entertainment

Ill Met by Moonlight is unique among the few works of fiction that use William Shakespeare as a character. The trouble with most of those novels and films is their lack of daring. The precious few facts we know about the man are treated with such reverence that the author hardly dares to make the most believable addition. Maybe Will played detective and investigated Kit Marlowe's death? Maybe a girl sneaked in to play a girl's part? Maybe the Queen herself dropped by to catch a performance? They amuse us by timidly stepping a toe into the great unknown sea of Shakespeare's personal history.Sarah Hoyt's Ill Met by Moonlight, on the other hand, is fired by an imagination and daring worthy of the playwright. The premise is simple and grand: what if Shakespeare based A Midsummer Night's Dream on his own encounters with the world of Faerie? And this is not the fairyland of Victorian children's stories that young Will falls into, rather it is the dark ethereal realm our ancestors thought they shared their world with. Kirk's Secret Commonwealth, inhabited by Tam Lin and Allingham's Fairies, in which a man who joins the dance in the fairy circle, may wake up the next day to find twenty years have passed in the world he knew.Will's wife Nan and young daughter Susannah are spirited away to a crystal palace that appears in an enchanted wood, and Will, going to their rescue, finds himself enmeshed in the political affairs of nearly immortal creatures who, for all their great powers, are as succeptible as mortals to lust and greed and rage and the will to power. And is seduced by the impossibly beautiful Lady Silver. Ill Met by Moonlight is an original and truly wonderful entertainment.