Mary Hood's fictional world is a world where fear, anger, longing-sometimes worse-lie just below the surface of a pleasant summer afternoon or a Sunday church service. In "A Country Girl," for... This description may be from another edition of this product.
She's good, one of those sardonic southern writers who couldn't write a bad sentence if you held her feet to the fire or offered a bribe. She's got that fine ear that condenses our common language and turns it into near poetry. Every word pure protein, no filler. She fuses voice to people to place, like Grace Paley only Hood's people live in rural Georgia, tend to hunt, and Church sends its long shadow. So, imagine cross between Grace Paley and Flannery O'Connor. THrow in the terse existentialism of the blues. Richer language than Raymond Carver, or Tobias Wolfe but part of that short story renaissance that started in the Eighties. She's one of the best.
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