But is it original? The question, on which so much of writing stakes its claim to greatness, may be more interesting than the answer. In this provocative book, Francoise Meltzer takes a subtle and incisive look at the anxiety of origins at the heart of the literary enterprise. Using four case studies, Meltzer reveals the shaky status of originality as a founding principle of the critical establishment. Freud, inventor of "dream work," turns...